Critical Role

Linkable transcripts

Campaign 2 Episode 38

Welcome to the Jungle

CRWiki
# MATT
Hello everybody, and welcome to tonight's episode of Critical Role, where a bunch of us nerdy-ass voice actors sit around and play Dungeons & Dragons. Before we hop into tonight's episode, let's get through some announcements very quickly. First and foremost, we have our fantastic returning sponsor, our friends since the beginning of Campaign 2, D&D Beyond. Sam!
# SAM
D&D Beyond just released-- this is actually kind of exciting-- just released the new Creatures section. Users now have a place to add any type of monster stat block for easy reference during play! You can add your favorite wild shape or familiar forms, keep up with your ranger's companion, summoned creatures, mounts, ferrets-- or what do we have, a weasel?
# LAURA
Yeah!
# SAM
Followers and more! You can also track hit points and customize the name and stats for all of your creatures! To celebrate, I've crafted a quick little trivia quiz for Laura! We'll start with Laura and bounce around. I searched through D&D Beyond's list of actual familiars listed on their site. I will name four creatures. One of these is actually a board game. The other three are actual D&D familiars. Which is the board game and not a familiar? A) Boggle, B) Juiblex, C) Pudding King, D) Unstable Unicorns.
# LAURA
Boggle!
# SAM
Incorrect. I said, "Which is a board game and NOT a familiar?" Boggle is also a familiar! Unstable Unicorns is the correct answer.
# LAURA
It's stupid!
# SAM
Taliesin, one of these is a West Hollywood bar--
# TALIESIN
Ready!
# SAM
Three of these are D&D familiars. Which is the real bar? The Naughty Pig, the Mantrap, the Steel Predator, the Cockatrice.
# TALIESIN
Which of these is--
# SAM
Is a real bar!
# TALIESIN
The Naughty Pig.
# SAM
Correct!
# TALIESIN
I know my West Hollywood bars, man.
# LAURA
Oh my god.
# SAM
Marisha, one of these is an Australian candy.
The other are beasts on the list. Which is the real Australian candy? (Australian accent) A nalfeshnee? Musk stick?
# TRAVIS
All of Australia is turning off.
# SAM
Ochre jelly? Vegepygmy?
# MARISHA
What was the last one?
# SAM
Vegepygmy.
# TRAVIS
No, that's not a familiar.
# MARISHA
What's B?
# SAM
Musk stick. You got it correct! It's actually a candy from Australia!
# TRAVIS
Vegepygmy is a familiar?
# MATT
Vegepygmy is legit.
# SAM
I'm going to skip the next one and go straight to Travis. Sorry, Liam, you lose. No, I'll do Liam's, too! One of these is a Kama Sutra position. The other three are beasts! Which is a Kama Sutra position? The Flying Snake, the Curled Flower--
# LIAM
The Cold Flower?
# SAM
Curled Flower. The Stench Cow, or the Corpse Flower?
# LIAM
Which one is the--
# SAM
Kama Sutra's sexy position.
# LIAM
Which one is?
# SAM
Yeah.
# LIAM
Run through those really fast.
# SAM
Flying Snake! Curled Flower! Stench Cow! Corpse Flower!
# LIAM
Oh god, too fast.
# TRAVIS
You got it, pick one!
# LIAM
Corpse Flower. It's the only thing I can remember. He said it too fast!
# SAM
Curled Flower is-- Speed round! I'm still going! Travis, I'm going to say pairs of names.
One of each is a World Wrestling Entertainment wrestler, the other is a D&D familiar. Grung or Mojo Rawley? Say the one that's the wrestler.
Grung or Mojo Rawley?
# TRAVIS
Grung.
# SAM
No. Manshoon or Fandango?
# TRAVIS
Manshoon!
# SAM
No. Leucrotta or Lou Albano?
# TRAVIS
Lou Albano.
# SAM
Correct. Annis hag or Gran Metalik?
# TRAVIS
Gran Metalik.
# SAM
Correct, and one more: Giff or Mirt? They're both beasts!
# MATT
I don't think Mirt would appreciate being called a beast.
# SAM
I don't know what any of these things are!
# MATT
But a familiar, perhaps. Thank you, Sam, and thank you, D&D Beyond.
# SAM
I did a lot of research on D&D Beyond today.
It was fascinating to scroll through the list of beasts and familiars!
# TALIESIN
I'm especially impressed you found the list of West Hollywood bars on D&D Beyond. That's an obscure crowd.
# MATT
It's amazing the reach the program has now.
Thank you, D&D Beyond, for your sponsorship. Gotta catch 'em all. A couple of other updates: the latest episode of Between the Sheets starring our fantastic Liam O'Brien right here is now available on the Critical Role YouTube. That's youtube.com/criticalrole.
Make sure to check out this coming Monday on our Twitch channel, twitch.tv/criticalrole, at 7:00pm Pacific to see the next episode of Between the Sheets with our fantastic Sam Riegel.
# SAM
I'm on this show?
# MATT
You're up the next week, yeah, get ready.
# SAM
Did they pay me?
# MATT
That would be a conversation to have with the Creative Director.
# SAM
Brian has to pay me to be anywhere within 500 feet of him. It's the rule.
# MATT
I think legally you're not supposed to be? Check that out on Monday, 7:00pm Pacific on our Twitch channel, and the next episode of All Work No Play airs tomorrow, also at twitch.tv/criticalrole, at 7:00pm Pacific time.
You get to watch these two awesome gentlemen here, as well as the special guest, Stephanie Sheh.
# SAM
We're doing the rage room tomorrow.
# ALL
Rage room!
# SAM
It's going to be fun.
# LIAM
Got almost all of it out.
# MATT
(slow motion talking)
# TRAVIS
Benadryl.
# MATT
So there's that. Anybody else have any other announcements?
# LAURA
The pre-orders for the Keyfish t-shirt start shipping tomorrow. Outside of that, just go to the shop. Y'all know the drill.
# MARISHA
It's fine, we're gods!
# MATT
All right then. Without further ado, I say it's time we go ahead and dial in for tonight's episode of Critical Role.
[TV static, click] [groovy Critical Role theme]
And welcome back.
# TALIESIN
Never an accident.
# MATT
No, never! Last we left off: The Mighty Nein, following their thread of information, in pursuit of the source of the strange sphere that Fjord had come into the possession of-- that seemed to tie in some way, shape or form to the magical powers he had been slowly learning to control and manifest-- led you to southward to the Menagerie Coast where you commandeered a ship named the Mist, which you then renamed the Mistake, hired a crew and made your way south-southeast towards the island of Urukaxl to follow the apparent source of this note that seemed to have some information about where it was from and where it may go. Upon approaching, you were greeted by a much larger ship, which had shot a warning shot across the bow and demanded you to come meet the captain on their deck. You there met Captain Avantika, who had given you the options of either proving yourselves beneath her and her crew by helping them, putting yourself in danger at her behest, or they would weigh your corpses down with rocks within the nearby bay amongst the reefs. You agreed to give into these demands and an evening's stay within the ship known as the Squalleater. A little bit of thievery went into the cargo hold of the ship while Fjord had been called to the captain's quarters, where the two of you discovered that you had something in common. You both appeared to have been, from her words, the chosen of Uk'otoa, an ancient entity referred to as the leviathan that was a historical creation of Zehir, the Cloaked Serpent, before it was banished along with the rest of the gods in the Calamity and following Divergence. Now the captain, seeing herself as the chosen and seeing you in a similar state -- this kismet was grappled onto quite strongly by her-- sent you to bed with the excitement of this travel, of which you would embark upon in the next day.
Upon waking, you found that Jamedi, a hired adventurer and dungeoneer who was set out to scope the island and find this temple, this supposed structure that was built in honor of Uk'otoa long ago and had since been retaken by followers of the Cloaked Serpent. Jamedi returned, finding the rest of the path too dangerous, but had managed to locate the whereabouts of this temple. Now you've gathered your things, you left the Squalleater onto a couple of skiffs, rowed yourself onto the white beach shores of Urukaxl, and as you all step across the long beach towards the line of trees that makes the jungle, you make your way into this mysterious wooded area. Mighty Nein, welcome to the jungle.
# TRAVIS
(singing) Welcome to the jungle!
# MATT
(singing) You're gonna die! (spoken) As Jamedi begins pushing forward into this, I would like to, one, have a marching order.
# LAURA
That fast, huh?
# MATT
I mean, you guys are going into dangerous territory.
# TRAVIS
I'll be up front.
# SAM
Yasha's first. We're all 60 feet behind her.
# MATT
Fjord's up front.
# TRAVIS
Yep.
# LAURA
I'll be behind him.
# MATT
Avantika's going to ride up with Fjord.
# MARISHA
I'll be behind Jester.
# MATT
Jamedi's going to be scouting a little bit ahead. Nott, where are you?
# SAM
I guess I'll scout with Jamedi.
# TRAVIS, LIAM
Yeah!
# MARISHA
I'll be behind Jester, yeah, or with Jester.
# MATT
Yasha will hold up the rear from a defensive standpoint. Caduceus, Caleb?
# TALIESIN
I'll be toward the back, I guess.
# LIAM
I will walk behind Beauregard.
# MATT
Okay.
# LIAM
Also, question: What is the temperature like here on this island? Are we tropical at this point?
# MATT
You are very much in tropical weather. It is warm, it is humid, and, even within maybe ten minutes of walking into the jungle, you can feel the sweat beginning to gather at the edges of your hair and the back of your coat.
# LIAM
Caleb would then have taken his coat off and twisted it up and tied it to the back of his coat, so he's just with the holstered books and his shirt sleeves rolled up at this point since it's so hot.
# MATT
So you're leaving the coat behind?
# LIAM
No, I just tied it onto the back of my pack.
# MATT
Ok, gotcha. Cool.
# LIAM
Rolled it up like a carpet.
# MATT
You begin to step through the soft floor of the island jungle, each footstep coming with a sort of spongy pressure before it hits hard earth, rock, or just compressed compost and soft vegetation. I need you all to roll a stealth check as a group as you press forward.
# LAURA
Can I cast Pass Without a Trace so everyone around me gets plus ten?
# TALIESIN
Yeah, might be a good idea.
# TRAVIS
She's nice in the middle for a good spread.
# SAM
May I put up my cloaky thing?
# MATT
Of course.
# TALIESIN
I'm also going to--
# MARISHA
(sneezes)
# ALL
Bless you!
# TRAVIS
First roll with the new CR die!
# LIAM
Gesundheit.
# TALIESIN
I'm going to politely ask the local greenery and let them know that we're going to be coming through and that we're going to try not to disturb them so long as nothing disturbs us.
# SAM
Did you cast Pass Without a Trace?
# LAURA
Yes, I did!
# TRAVIS
Do you do that out loud?
# TALIESIN
Yeah, have to.
# TRAVIS
The local greenery?
# TALIESIN
Well, I mean, I got to talk to a couple of trees and let them know that we're coming through.
# LAURA
I'm going to give the Blessing of the Trickster to Fjord.
# TRAVIS
I don't need it, but okay.
# TALIESIN
Thank god for that plus ten because that was terrible.
# MATT
Avantika and Jamedi. Got it. All right, Caduceus.
# TALIESIN
15.
# MATT
Good.
# LAURA
32.
# SAM
We're all within the--
# MATT
30-foot radius, right?
# LAURA
Yeah.
# SAM
Okay, 24.
# LIAM
26.
# MARISHA
29.
# TRAVIS
25.
# MATT
I'll roll for Yasha as well. Natural 18, all right. You guys ever so quietly disappear into the jungle brush without issue. The hanging vines and heavy palm fronds around you heavily obscuring your procession deeper into this--
# TRAVIS
Caduceus, can I ask you: what do you hear when you converse?
# TALIESIN
Shh.
# TRAVIS
(whispering) Yeah, I'm sorry.
# TALIESIN
If you want to hear it, you have to listen for it. You hear that?
# TRAVIS
No.
# TALIESIN
What're you hearing, then?
# TRAVIS
Nothing.
# TALIESIN
Exactly, yeah. It's good. All right.
# LIAM
(whispering) They're not saying anything.
# TRAVIS
Oh.
# MATT
Continuing onward. Who's keeping watch on this?
# SAM
Me, and--
# TALIESIN
I'm keeping an eye out.
# SAM
Who am I out there with? Cosko?
# MATT
Jamedi.
# TALIESIN
Oh, and Frumpkin.
# TRAVIS
Yeah, and Caduceus please.
# TALIESIN
I'm keeping an eye around as well.
# MATT
All right. Go ahead and roll perception for your vicinity. You guys are rolling perception for the path ahead of you.
# SAM
Three.
# TRAVIS
What the fuck? Plus?
# SAM
Plus zero.
# TRAVIS
Why are you rolling perception checks?
# SAM
I'm in the front. Makes sense!
# MARISHA
Did you get a haircut?
# SAM
No, I just styled it a little bit differently.
# MARISHA
It looks good!
# SAM
Oh, that's nice!
# TALIESIN
It might have been the loss of your Samson-like powers.
# MATT
So anyway.
Bring it in. Pushing forward, you look ahead and it's just endless trees and hanging vines and heavy roots in the ground. You feel nice and confident in the fact that nothing is catching your attention. A hand touches your shoulder and turns you to the right. It's Jamedi, who goes, "Shh. Look at this here. This was the first on my--" He pulls a small piece of paper and is taking notes. "I have not looked further within, but this was the first marker to our entry "inside." As he points over to show you, about a hundred or so feet off, partially obscured by one of the nearby heavy fronds, a dilapidated driftwood shack, with a frond-thatched roof. He looks back to the rest of you as you begin to approach. "This is the first marker. Do you have a "need to stop or do we press on?"
# SAM
You've been past here before?
# MATT
"I've walked through but did not stop.
I do not know if it is safe or not."
# SAM
Maybe we should go investigate just in case there's an early warning system or something, and there's someone in there watching us?
# TRAVIS
Yeah. Caduceus, Nott, want to check it out?
# SAM
Us?!
# TRAVIS
Yeah.
# TALIESIN
Sure.
# TRAVIS
Such a good idea.
# TALIESIN
That is a really good idea.
# SAM
All right. I'll take a big swig and go towards it.
# MATT
Okay. Jamedi begins to move, and Avantika puts her hand out and stops Jamedi, and goes, "Terribly sorry, but you are more important on this. You two, you can do this "without him?"
# SAM
Yes we can, Captain.
# MATT
"Very well. We await your return."
# SAM
We're supposed to be listening to her, or something. I don't know.
# TALIESIN
All right.
# MATT
The two of you tread on. As you approach, you get a good look at it. It looks like this hut has been untouched in a long while. A lot of the overgrowth in the jungle has reclaimed the base of the wood.
A lot of it appears to be driftwood, or ramshackle planks that have been carved from trees that have fallen over in the vicinity, or possibly scavenged from shipwrecks that have washed ashore. It is a mismatch of different types of wood and cobbled materials, but it is a shack. It's probably no more than ten-foot by ten-foot, it's not extremely large. You do see a half-rotted sheet of some sort of thick material that blocks the doorway. You see some holes that have been eaten through it.
# SAM
Want me to go knock, or you?
# TALIESIN
Well, we have a choice here.
You're harder to see, I suppose, so there's that.
# SAM
All right.
# TALIESIN
I'll come up with you, though.
# SAM
Okay. I'm going to sneak up and peak through the curtain.
# MATT
Okay. You get to the curtain and the material is a thick-- you can see that it probably once belonged to a sail or of a heavy tarp that's long rotted and mildewed, and as you put your hand to it and tug on it, elements of the threads separate a little bit. Peering inside, you see it's mostly empty. There's a simple cot, there's a chair, a mildewed leather coat that appears to be half folded over and thrown in the corner, and a small box up on the far end of the table in the room that's just open; there's no lid to it. The whole room smells faintly of rot.
# MARISHA, TRAVIS, LAURA
(pigeon cooing)
# MATT
Shh.
# TALIESIN
I'm going to poke up and put my head in as well. There's no trap doors? Nowhere where anybody could be hiding?
# SAM
I can look for traps.
# MATT
You can make an investigation check if you want to go check the interior.
# TALIESIN
I was just curious immediately if there was anything I notice; I wasn't going to--
# SAM
I'll look around for traps on the floor and stuff.
# TALIESIN
I was going to look around. Actually, if you're doing that, I'll look around the outside to see if anybody's watching us.
# MATT
Okay. Make a perception check.
# SAM
Investigation?
# MATT
Yep.
# SAM
13.
# TALIESIN
27.
# MATT
Glancing around the space, you see half of your party hiding, mostly, not too far off, maybe a hundred feet from the edge. Looking around you, you notice there are a few animals that are up in the top of the trees, leaping. Looks to be some sort of monkey-type creature, small, leaping from branch to branch. You see a few colorful jungle birds that are up in the higher elements of the tree tops. At the moment, no noticeable dangerous figures that could be lurking nearby.
# TALIESIN
Nothing's really watching.
# MATT
Yeah.
# TALIESIN
All right.
# MATT
Looking about, touching the floor, you don't notice any trap doors. You find one plank that feels loose. You pull it up, and it's just dirt.
Yeah, it's just the table, the cot, the open box.
# SAM
Then I'll use Mage Hand to reach up for that box and grab it off the shelf.
# MATT
Okay. You pull the box off the shelf and pull it over. It has a bunch of old, dry-rotted navigation tools. You can see a wooden handled magnifying glass. You can see a piece that held an instrument that was used for charting paths along maps, but the wooden elements of these have warped over time and dried out and there are metallic bits are rusted a bit.
# SAM
Does the magnifying glass look like it might still work, maybe?
# MATT
It could still work. The glass hasn't been touched; the housing for it has rusted a little.
# SAM
I'll grab that. Mr. Clay, should we go in further, or what do you think?
# TALIESIN
I don't know. Has the bed been slept in? Does it seem like someone's been here recently or is this abandoned, do you think?
# SAM
Why don't you go check it out?
# TALIESIN
What? Oh! Well, I'll put my head in.
# MATT
Roll an investigation check as you inspect the bed.
# TALIESIN
16.
# MATT
Looking at the cot, it's a simp--
# TALIESIN
12, sorry.
# MATT
12. Okay.
# SAM
You don't see the cot.
# MATT
It's a simple cot. It looks like the material bows in the middle where somebody would've slept previously. It's stained from weather over time. Looking up at the thatched roof, it looks like there's probably been a few storms that have battered it enough to the point where it leaks through, and the place itself doesn't really keep any of the rain at bay, what manages to filter down through the treetops nearby, at least. As you push on it, the material tears a bit, and beneath it you see a smaller chest of some kind.
# TALIESIN
Huh.
# SAM
What?
# TALIESIN
Does look dangerous to you?
# SAM
The chest?
# TALIESIN
Yeah.
# SAM
I can come see if it's trappied.
# TALIESIN
Sure. I'm going to take a step back.
# SAM
I'll Mage Hand check for traps.
# MATT
Okay.
# SAM
Wow, so far today, I've rolled two threes and three fours.
# MATT
Buddy!
# LAURA
Switch that fucking dice out!
# SAM
No, it's going to pay off.
# TRAVIS
Just think, slot machine!
# SAM
13.
# MATT
The chest is locked; it does not appear to be trapped.
# SAM
Okay. I'll open it. It's not trapped, for sure.
# TALIESIN
Be my guest.
# SAM
Well, that's better. 24 total.
# MATT
There you go!
# TRAVIS
Ding ding ding ding!
# TALIESIN
Cherry, cherry, cherry.
# MARISHA
Jackpot.
# MATT
You go ahead. It opens up; nothing seems to happen. It's relatively small; it's maybe six by four inches in size. You slowly pull it open, moving the cot out of the way. Looking inside, immediately you see a small, golden statue, maybe three inches tall, that is a relatively simple carving; it's not extremely detailed. The relief looks like the head of a cobra with the hood open and the jaw open with fangs drawn. Next to that you see three approximately gold piece-sized rubies. They're that big around, but they're fairly thin.
# LAURA
Ooh.
# SAM
I'll grab them all!
# MATT
Okay.
# LAURA
Ruby buttons!
# MATT
You pull them out. As you do, the weight that's been distributed outside of the chest causes it to slide forward. At that point, you notice that there is a cord attached to the base of the chest. The weight was holding it in place.
As you remove the objects, the chest slides back against the wall as whatever cable is attached to it goes through a loop through the ceiling and you feel shifting as a large urn of some kind that is currently set up inside a thatch roof tips over, and begins to just release a payload on top of both of you--
# SAM
Maybe it's just a silly prank, it's water.
# MATT
It looks to be a cluster of poisonous snakes, dozens of them just stumble down from above. What do you guys do?
# SAM
What do we do?
# LAURA
Leap out of the way!
# SAM
I mean, yeah, I guess I will try to not get hit by the cluster of snakes.
# MATT
Go ahead and make a dexterity check.
# MARISHA
You got any of that rogue shit?
# MATT
Dexterity saving throw.
# SAM
Save?
# MATT
Yes.
# TRAVIS
(hissing) Save friends!
# SAM
23 to save.
# MATT
You duck out of the way to the back, get your crossbow ready, and look down. The snakes hit the ground with a sludgy slap. All of these snakes have long been dead, mostly decomposed.
# SAM
They didn't feed the trap snakes?
# MATT
Apparently whoever was been handling this hut hasn't been here for a while.
# LAURA
Aw, that's sad.
# TALIESIN
Well, that's just sad, that's, yeah.
# SAM
Do you want them to decompose?
# TALIESIN
I mean, that'd be nice, wouldn't it?
# SAM
Maybe?
# TALIESIN
Yeah, I'll see if I can start the muck going in here and maybe get a nice little indoor terrarium, I don't know what will happen.
# MATT
Sure, they're still mostly decomposed. But the weather, at least the way it was kept up in there, wasn't conducive to any heavy jungle fungus, it seems. But you harry that along. You, through your cantrip, manage to watch as these dull blue and gray spores begin to apparate in a row across the pile of somewhat sludgy snake remains.
# TALIESIN
That's already better.
# SAM
Were they real rubies or was it all a ruse to get me to pull on them?
# MATT
They appear to be.
# SAM
Do I have them?
# MATT
You have them. You have everything that's in the chest, you have the gold idol, the small snake head idol, and you have these three gold piece-shaped rubies. They're about that thick, and that big around. Make an investigation check.
# SAM
Me?
# MATT
Yes. It would be perception, actually.
# SAM
12
# MATT
You look at the rubies as you're inspecting them and they have little scratches at the edges, it's like slight-- I wouldn't say imperfections, it's not like they were originally there. But you can see small grooves or lines along the outer edge where something metal or pointy was used to scrape or picked.
# SAM
Okay.
# TRAVIS
This is good. This is some Uncharted shit right now.
# TALIESIN
There are some maps in with the compass-- just some tools? All right.
# MATT
Nothing else. Just a few things left behind, and no sign of who once built or at least lived in this space nearby. But they haven't been here for a while, whoever they were.
# SAM
Let's go tell the others about everything that we found, except for all the rubies and gold. I'm kidding, we'll tell them about it.
# TALIESIN
All right, I-- you know, okay, sure. We can do that.
# SAM
Unless you're cool with not telling them, because that's cool with me, too.
# TALIESIN
Telling who what?
# SAM
All right, you're confusing.
# LAURA
What did you find, what did you find?
# SAM
I found those beautiful eyes of yours.
I can't-- I found two rubies.
# LAURA
Two whole rubies?
# SAM
Yes.
# LAURA
Whoa, what did they look like?
# SAM
Like this.
# LAURA
Ooh!
# TALIESIN
It'd look even better with the golden snake thing. I mean the whole thing comes together nicely.
# TRAVIS
What golden snake?
# SAM
Oh, there's a golden snake, I forgot.
# LAURA
Ooh!
# TRAVIS
Is it just a cobra head by itself, or is there also a body?
# MATT
No, it's just a head, about an inch below where the jaw opens. It's about three inches tall altogether.
# LAURA
Is it like our little mini Yasha bust?
# MATT
Kind of, yeah! Only with no torso. It's just like a snake head that's curled up, and it's only from about there to where the mouth is.
# LAURA
I try to feed the ruby to the snake head.
# LIAM
May I have a look at this one? Not the rubies.
# LAURA
Do I see anything cool about the rubies? Do I also see the little (scratching)?
# MATT
You do also notice the small scrapes, yes.
# LIAM
Are there any runes on this thing, does it seem arcane in nature?
# MATT
It does not appear to have any runes inscripted on it. There's no language carved or pressed into the mold. It looks to be like it was sculpted not by a master artist or sculptor. Some of the details are a little loose and bleed a bit: where the mouth and the teeth are some of them are a little bent or off-kilter. It looks like it was more of a passion project than a fine piece of craftsmanship.
# LIAM
Yeah, how does everyone feel about a ten-minute breather here? I sit down and unholster my book and begin to cast Identify as a ritual.
# MARISHA
Hey, can you do that on multiple things at a time?
# LIAM
No. One at a time.
# MARISHA
That seems excessive.
# SAM
What do you have that you want to identify?
# LIAM
Do you have a quicker way?
# MARISHA
Just a thing that was given to me.
# LAURA
What thing was given to you?
# MARISHA
A feather from Nila, forever ago.
# LIAM
It's only ten minutes.
# SAM
You don't trust her?
# LAURA
Who's Nila?
# MARISHA
I don't know, I'm just saying it might be magical.
# TALIESIN
Magic feather.
# MARISHA
Magic feather. Maybe it makes me fly.
# TALIESIN
Maybe it makes you fly, maybe it makes you molt. There's all sorts of things feathers could do.
# MARISHA
Oh that's right, you didn't meet Nila.
# LAURA
Nuh-uh.
# MARISHA
Yeah, she looked like Caduceus.
# TALIESIN
She was really nice.
# MARISHA
Yeah.
# TALIESIN
We didn't look anything alike, but yeah she was very nice.
# MARISHA
Oh sorry.
# TALIESIN
I'm much taller.
# TRAVIS
Yeah, we can take ten minutes, we'll set out a little perimeter just to make sure we deflect any unwanted--
# LAURA
I mean if Avantika thinks it's okay. Does Captain Avantika think it's okay for us to take ten minutes?
# MATT
Captain Avantika crosses her arms and impatiently goes "Whatever it takes if you think "it will give us there safer. I trust you and your specialties."
# LAURA
Okay.
# SAM
Hey is there any benefit to showing-- I whisper-- is there any benefit to showing Captain Avantika that letter we found that she wrote?
# LAURA
Hmm, we should ask Fjord before we do that.
# SAM
All right. What's Fjord doing right now? (laughter)
(yelling) Hey Fjord!
# TRAVIS
Huh?
# SAM
(yelling) Fjord! (spoken) I whisper.
(laughter)
Is there any benefit to showing Captain Avantika the letter that I think she wrote?
# TRAVIS
Why would we do that?
# SAM
I don't know. That's why I'm asking. I'm a simple goblin. I don't know the world weary ways of a sailor.
# TRAVIS
You certainly could. I don't see what harm it could bring.
# LAURA
I'm still picturing you in the stripy sailor outfit.
# TRAVIS
Sure, go for it.
# SAM
No, I'll just hang on to it. If she ever is like, I don't know. If we ever need it, we got it!
# MARISHA
I walk over. Hey, are we whispering?
# LAURA
Shh. We're whispering.
# MARISHA
Oh sorry. Sorry, we're whispering.
# SAM
Never mind, we were just talking about this letter, but don't show Avantika. We can use it to copy her handwriting and write a check.
# MARISHA
You never show people their stolen mail.
# SAM
Oh, of course, I should have asked you first!
# MARISHA
Don't. Absolutely not. Keep that shit on lock.
# TRAVIS
He's rolling dice, you guys. Is the shack large enough to house our entire?
# MATT
Not comfortably, by any means.
# TRAVIS
We'll kind of--
# LAURA
We'll be quiet, we'll just stay still and look around.
# MATT
In this ten minutes, the blanketed heat and humidity this jungle tends to hold in is uncomfortable for those of you more used to the northern elements of this continent.
# LIAM
Yeah, this sucks.
# MATT
The sweat is definitely collecting beneath all of your armor and clothing, pooling in areas you hadn't expected. Your hair is matted against your face, the insects are starting to find their way to you as the scent of sweaty humanoid draws them nearby, occasionally being bit here and there. You finish casting Identify. This is not magical, it doesn't have any magical properties.
It seems to be just an idol, it looks like it was attached to something in the past, but it's probably literally worth its weight in gold.
# LIAM
Nott, here's your toy back.
# SAM
Thank you.
# TRAVIS
I have a question for you, Matt. Is it really just us and Avantika and Jamedi?
# MATT
Yeah.
# TRAVIS
And that's it?
# MATT
Yeah.
# MARISHA
I scan the forest. Are we being followed?
# MATT
Make a perception check.
# MARISHA
Fuck, balls, shit, six.
# MATT
Looks clear.
# MARISHA
So foggy.
# TRAVIS
Yeah, that's the humidity. I walk over to Avantika and say: Might I ask, you said your men are dedicated to this cause as well. How much do you share with them?
# MATT
"I share what is needed. I share with them the elements of the dreams and visions I've been "given. For me it is one thing to have a loyal crew; it is another to have a crew that has faith "in you beyond being just captain. I do not want a mutiny, and what's more effective than someone "that thinks that not only are you a proper captain, but you are the link to their god?"
# TRAVIS
Very effective.
# MATT
"There are ranging levels of belief, maybe, but I think with the time we spend together and "the willingness to understand the possibilities of having a captain with such capabilities at their "disposal, that-- well, riches are not that far off on the horizon, eh?"
# TRAVIS
Blind belief is quite remarkable. I'm assuming you've shown them things to garner some level of expectation of your abilities?
# MATT
"Oh, do not misunderstand, I myself have gutted and cut down dozens of men who have "attempted to take my position."
# TRAVIS
I don't doubt it for a moment.
# MATT
"Speaking of which," and she removes her dagger and rapier and looks about and you can see beautiful weapons, very well made and very well kept. In fact, most of her equipment that she has, you can see her fiddling with occasionally to adjust and clean things as she moves through.
There's a very forceful intent to make sure everything is properly placed and well taken care of on her person. She looks about and goes, "And as much as we are keeping an eye on us ahead, I am "still keeping and eye on all of you, of course."
# TRAVIS
I would expect nothing less.
# MATT
"Because, while I would like to believe this new-found kinship could make for some very "incredible possibilities in the future, you cross me and this blade will find your heart faster than "anything you've seen move."
# TRAVIS
Let's hope it doesn't come to that.
# MATT
"I hope not either." She reaches out and pokes your nose and turns around.
# MARISHA
She booped you. Nope.
# TRAVIS
She just gets a finger full of sweat.
# LIAM
Was all of that for all to hear or are they off a bit?
# MATT
They were off a bit, away from everybody.
# TRAVIS
Are we satisfied?
# SAM
Let's go, let's keep going. Oh, what?
# LIAM
Yeah, I'm good. Break time over.
# TRAVIS
All right.
# MATT
"All right. Jamedi?" "Of course." They begin falling into the same positions, with both Jamedi and Nott taking point. Everybody make another stealth check, please.
# MARISHA
Another stealth check.
# LAURA
Pass Without a Trace still going? It goes for how long?
# MATT
It lasts for an hour.
# LAURA
Okay, yeah.
# MATT
So yeah, it's still going for a bit.
# LAURA
Oh, Blessing, who needs a Blessing?
# MARISHA
(pigeon cooing)
# MATT
Technically it's still on Fjord.
# TRAVIS
I'll take it. Is that advantage? Better.
21.
# MATT
21? Okay.
# MARISHA
19.
# LIAM
29.
# SAM
29.
# LAURA
22.
# TALIESIN
17.
# MATT
Okay. All doing pretty damn well. Continuing to coast forward for the next hour, hour and a half or so, following Jamedi's path. You can see him pulling out notes here and there and looking for different things, and occasionally he'll come upon a heavy palm tree or jungle tree that he's marked with a blade and he's keeping tabs on his marks to follow his path back to where he originally found his way. Along the way, the insects are getting really obnoxious. The buzzing itself becoming this low, droning, ever-present hum, but the bites are getting extremely obnoxious. Jamedi acknowledging, once he starts seeing it more and more, goes, "I did not find "them a problem before. Perhaps they seem to enjoy your flavors more than mine."
# MARISHA
Ew.
# LAURA
I'm really tasty
# TRAVIS
And sweet.
# TALIESIN
Are the insects really not bothering him at all?
# MATT
They're not bothering him really, it seems.
# TALIESIN
Just out of idle curiosity--
# SAM
Is he a human?
# MATT
He's human.
# TALIESIN
I'm going to very quickly cast Eyes of the Grave.
# TRAVIS
Of the what?
# TALIESIN
Anything undead within 60 feet is going to glow and I'm going to get a little glow off anything that registers as undead.
# MATT
Okay.
# TRAVIS
What the fuck?
# SAM
Beauregard starts glowing.
# MATT
You--
# MARISHA
Twist!
# MATT
You get a very faint undead aura emanating from Jamedi.
(gasping)
# TRAVIS
You slick motherfucker.
# MARISHA
Still a twist!
# TRAVIS
Really? Out of the fucking blue.
# LAURA
He's good.
# SAM
Do you share this knowledge with anyone?
# TALIESIN
At some point when I can get to Fjord quietly, at some point.
# MATT
All right. Well, first off, I need everyone to make a constitution saving throw.
# MARISHA
Why? Because it's so hot?
# MATT, TRAVIS
Just make one.
# MARISHA
Jeez, that was so close.
# TRAVIS
20.
# MARISHA
Nine.
# TRAVIS, LAURA
Nein!
# LAURA
Is that back?
# LIAM
Natural 20.
# SAM
Natural 12.
# LAURA
12.
# TALIESIN
Natural 20.
# MATT
All righty! Not bad. Good spread, guys.
Continuing to press on.
# TRAVIS
Somebody cast something, right? Does that mean somebody cast something?
# LAURA
Yeah, it's Jamedi.
# MARISHA
Is it just so hot? What's happening? Is it bugs?
# TALIESIN
I'm going to crawl up to Fjord in the line at some point. Been keeping my eye out, getting the lay of the land and Jamedi is not quite alive.
# TRAVIS
I'm sorry, did you say not quite--
# TALIESIN
It's not quite alive.
# MARISHA
Am I close enough to where I can overhear this?
# MATT
No.
# TALIESIN
I don't think it's an appropriate moment to bring something like that up, but it's worth--
# TRAVIS
Do you detect anything sinister?
# TALIESIN
Yeah, it's not quite alive.
# TRAVIS
Yeah, that's inherent, sure. Right.
# TALIESIN
If anything, I feel like I'm exercising an enormous amount of willpower just not to-- I mean, just doesn't seem like we're in-- there's a good advantage to dealing with this now. But, yeah, there's something weird there.
# TRAVIS
Thank you for letting me know. I hope you'll keep an eye on it for us.
# TALIESIN
Oh, I'm keeping an eye on it. Yeah.
# TRAVIS
All right.
# LIAM
I would also say, as we're tromping through, that I would push forward and try to catch up with Jamedi, momentarily. Oh jeez, what is that?
# MARISHA
Sorry.
# LIAM
Excuse me, two questions for you.
# MATT
Looks over his shoulder at you.
# LIAM
What's that? How much further? A day's travel or more than one day until we reach our destination?
# MATT
"With a full group like this, and trying to be as quiet as possible. I give us about maybe one "day. There will be a night of camping along the way."
# LIAM
And did you encounter any kind of threats?
# MATT
"There are dangerous things in this jungle, but it is easy to keep out of sight as one man.
"This many? Well, not as much."
# LIAM
Anything specific that we should be on guard for or prepared for?
# MATT
"There are lizardfolk that exist on the outskirts of this island."
# LIAM
You mentioned that.
# MATT
"They call the rivers, streams and the inlets home. Then there are the people of scale "and fang, the snake-folk that exist further in near this temple. Variations of their strange "physical--" What are you guys doing over there?
# SAM
Trying to open candy.
# MATT
How about we hold off? Congratulations.
# TALIESIN
That was sort of my fault. I apologize.
# MATT
"The people that have built around this temple, their variations in how their worship-- "the boons of this long-gone snake god they worship seems to apparate on their person in different "ways. I've seen some with heads that are full of serpent features, patches of scales, yellow eyes, "as well as some with limbs themselves transformed into snake-like forms. It is stuff of nightmares."
# LAURA
Like their arms but their legs are just--
# LIAM
You avoided them, you did not tangle with them yourself.
# MATT
"No, that is not the work I do. I am not a fighter by any means. My job is to not be seen, to "infiltrate, recover, and expedite my exit."
# LIAM
Makes sense. I cast Mage Armor right in front of him on myself. Thank you. See you later.
I'm going back to my earlier position.
# MATT
All right. Continuing forward for the next few hours or so, the heat is getting heavier and heavier as the afternoon sky now greets you. You find yourself stopping to eat and drink water along the way with what supplies you have available to you. The next few hours or so as it begins to get darker and darker--
# LAURA
I have a question.
# MATT
Yes?
# LAURA
With my medicine stuff, would I know anything that would help get rid of bugs and stuff? That would keep bugs away from me?
# MATT
It's possible. Make a nature check.
# LAURA
Oh no, a natural one.
# MATT
You have no clue.
# TALIESIN
Bugs! How do they work?
# MATT
Not a whole lot of jungle insects in or around Nicodranas, unfortunately. Nothing catches your attention necessarily.
# LIAM
You said it's also darker now? As I chew on some liquorice root.
# MATT
Yes, it's getting steadily darker as you guys move your way through.
# SAM
Were there any flowers on our journey?
# MATT
Were there any what?
# SAM
Flowers. Did we pass any flowers?
# MATT
There are a number of jungle flowers that you pass.
# SAM
I'm going to pick some as we go.
# MATT
Sure, all right. Most of the ones you come across are like a dull pink in color that fade to a green at the base. It's not a vibrant pink, just enough of that whitish red crossover to appear. A lot of them grow along the base of the roots of some of these jungle trees and you collect a few handfuls of them. Okay. Yes?
# MARISHA
I go over to Fjord while we're taking a break. Hey, did you find anything out from Avantika? About, you know, shit that you guys have in common?
# TRAVIS
No, I asked if she shared with her men her passions and all the details that she knows and all the knowledge. I thought maybe she might covet that, but it seems like she's quite forthcoming.
She's trying to build a following, like a zealot almost. You know, build believers out of her crew.
# MARISHA
Does she believe it, though?
# TRAVIS
Yeah. She's convincing if she's a liar. I think she genuinely wants to summon forth this thing.
# MARISHA
But does she believe that she's a zealot, like connected to some god.
# TRAVIS
That she's the chosen? Yeah.
# MARISHA
How are you feeling from last night? Seemed like you had a rough night.
# TRAVIS
No, I'm fine. Fine. Rested. REM sleep is some of the best, so you know. I feel energized.
Jazzed. Excited to continue on.
# MARISHA
All right. Did you ever read any horror stories as a kid or did you and your friends tell horror stories? Spooky things?
# TRAVIS
Ghost stories? Yeah.
# MARISHA
You know how there's always a time where the narrator stops, lets your imagination run wild with what happens?
# TRAVIS
Yep.
# MARISHA
I just wanted to say. People might have ideas and thoughts, and I'm trying to look out for you because we said we'd have each other's backs.
Sometimes the less you say, the more people's minds like to fill in the blanks. From what I've learned, generally, what's in people's heads is worse than the reality of the situation.
# TRAVIS
Wow. Do you want to tell me what's in people's heads?
# MARISHA
I mean, look, we've seen you do some weird, fucked up shit, right?
# TRAVIS
Admittedly.
# MARISHA
So any time you're unsure it's going to make other people even more unsure, with a layer of suspicion. It's like a tiramisu of confusion.
# TRAVIS
Well, I admit that I'm not sure about a lot of this. No pressure, right?
# MARISHA
No pressure.
# TRAVIS
I will try to fill in as many details as I can.
# MARISHA
Let's go fight some snake people.
# TRAVIS
Totes.
# MARISHA, TRAVIS
Yeah!
# LIAM
While that is going on, I walk over and stand next to Caduceus and say: Hey. Hello, would you hang out with me for a moment?
# TALIESIN
Yeah.
# LIAM
Excellent, let's stand right here. I casually pull out the wire and I cast Message to Nott. Nott, would you please go, I need you to speak to Avantika and Jamedi together for a moment, please?
# SAM
You need me to speak to Avantika and Jamedi?
# LAURA
What are you saying?
# SAM
Sorry, what?
# LAURA
Are you talking to yourself?
# SAM
Oh. (whispering) I'm on the phone.
# LAURA
Oh.
# LIAM
Ja.
# SAM
Recast. What do you need me to say? You can respond to this message.
# LIAM
Just distract them, please.
# SAM
Oh!
# LAURA
What did he say?
# SAM
Got it.
# LAURA
What is it? What did he say?
# SAM
(whispering) I'm on the phone right now, okay? I'll get to you when I'm done.
# LAURA
Okay.
# SAM
(normal volume) Okay. That was Caleb. He wants me to go distract Avantika and Jumanji for a moment. Do you want to come help me?
# LAURA
Okay!
# SAM
What should we do?
# LAURA
Should we do a dance?
# SAM
We've practiced one.
# LAURA
I mean, we did a really good one before. So yeah. We could do that for them.
# SAM
We could try to teach it to them.
# LAURA
Yeah!
# SAM
Great. Ahem. Hoy hoy! Hi, Captain Avantika.
# LAURA
And Jamedi.
# MATT
Jamedi's a few feet ahead. He's currently leading the path. They're about 20 feet from each other.
# SAM
Oh, sorry.
# LAURA
I'll get Jamedi.
# SAM
Sure.
# LAURA
Hey, Jamedi!
# MATT
Jamedi is like, "What?"
# LAURA
Can you come here for a second? I have something I need to show you.
# MATT
"What is this? This has no bearing on--"
# LAURA
It's really important, though. It's super important.
# MATT
Make a persuasion check.
# LAURA
Ooh! 22.
# MATT
He goes, (sigh) "What is it?"
# LAURA
Come here, come here!
# SAM
Hi!
# TRAVIS
You can see the temperature rising.
# MATT
(sigh) He begins to walk over in your direction.
# LAURA
Okay, now that we have you two together.
# SAM
Yes.
# MATT
Avantika' still ten feet from you, but is like, "What is it you want?"
# LAURA
Okay, we'll do this very quietly.
# SAM
Something that-- Hi, it's me, Gilligan. Nice to see you again. Something that we used to do on our ship to relieve the tension.
# LAURA, SAM
And raise morale.
# SAM
Was we had a boat dance.
# LAURA
Yes, and it was specific when we were on really important missions and stuff.
# SAM
Do you guys have one of those?
# MATT
"Not specific to the dance, no. Not to the boat, at the very least."
# LAURA
Well, so you have dances, though? Did you do to raise morale? Do you and Jamedi do one together?
# MATT
Jamedi goes, "This is completely inconsequential to me and I need to keep an eye on "the path ahead."
# LIAM
After a moment passes, I stand behind Caduceus' tall frame and quietly cast Detect Magic.
# MATT
Okay. So, you cast Detect Magic. As your visual aura expands beyond, giving you faint bits of essence of magic around you. All of your friends that have various magical accoutrements themselves, begin to glow on their persons and around their persons. You can see that Avantika, both blades that are currently sheathed give off a faint aura. That seems to be all that you can notice at the moment.
# LIAM
Even for Jamedi?
# MATT
Jamedi, you do not see--
# LIAM
Oh, I need to walk up and learn more about this dance, then.
# TALIESIN
Wait, I'm going to stop you because I see what you're doing. You're probably not going to get anything off him, but he's got an undead vibe that I've been picking up.
# LIAM
Oh. Ja verstehen, okay.
# TALIESIN
I feel you. It's been making me pretty creeped out, to be honest, but I'm trying to hold together and keep chill. Chill. Lots of chill.
It's hot, but--
# LIAM
I still want to see what he's carrying.
# TALIESIN
You're really going-- Let me know what you see and we'll compare notes later.
# LIAM
What are you two doing over here? You're holding up. We need to move.
# MATT
Jamedi's already moving, by the way, he's ignored both of you and has continued up with the path.
# LIAM
I try to catch up to him!
# LAURA
Oh. We're just showing the dance, is all.
# SAM
Oh, sorry.
# LIAM
I pass them by. Try to catch up.
# MATT
Okay. As you catch up, the next thing you see as you turn back is Jamedi, hand up behind in your direction.
# TRAVIS
Shh!
# SAM
He's a ninja.
# MATT
As you all begin to listen, Beauregard, Caleb, and Caduceus, you hear the cracking of branches and twigs and the shifting of jungle floor. Jamedi puts two fingers in the air and then--
# LAURA
What does that mean? What does two mean?
# TRAVIS
Two people go up.
# LIAM
I creep up to just about 30 feet away.
# SAM
Don't! Not you.
# MARISHA
I agree. And I walk up.
# MATT
Okay, so Beauregard and Caleb approach.
# MARISHA
No, why are you following me? Why are you doing this?
# MATT
"Shh!" you hear coming from Jamedi. As you look just past this clearing, you notice a troop of four figures making their way through to brush.
You hear this very low, guttural clicking from one of them. You can notice these shapes, these figures in a little bit of the now somewhat fading dusk light, they're muscular, and burly, and hunched. You see scaled skin, but deeply scaled all over. Not snake-like, but more lizard-like.
You see long snouts with rows of sharp teeth and a frill down the back of the neck. You can see makeshift bits of leather strapped together to form patches of armor across the torso. Big heavy shields, carved from some sort of a large shell, that has multiple rows of spines and hooks down the back of it. You see clubs and heavy blades that are made of makeshift, scavenged metal or weapons that have washed up on shore or have been recovered from others that have been unlucky to make their way to this island and never returned.
# MARISHA
How many?
# MATT
Four of them. Each one of them has a spear.
# MARISHA
I duck down, I turn to the rest of the group, and I say: (whispering) Snake. Four of them. Shields. Weapons.
# TRAVIS
That's a bad gesture.
# LIAM
I quickly turn around and through the wire say: (whispering) There's four lizard people over here. Looking in the distance at them and at Jamedi.
# MATT
Okay, make a perception check.
# LIAM
Before this spell fades.
# SAM
(whispering) There's four lizard people up there.
# LAURA
(whispering) Oh.
# SAM
We should do this quietly.
# LIAM
16.
# MARISHA
I direct the group and I say: You flank this way, and then you guys flank that way. We flank around.
# SAM
Just for fun, but let's try it!
# MATT
Yasha's cupping behind her ear going, "What?"
# SAM
Yasha and Fjord to the right. We'll go to the left.
# LAURA
Okay!
# MATT
At this point, you hear a sudden impact.
(growling and impacts) Glancing over, Caleb, you watch as behind them on the bushes in the opposite side of this small path they are walking through, you see three arrows. Two of these lizardfolk tumble to the ground to one knee (growling). They turn around and two people in purple-ish robes with basic jewelry and leather bands rush forward with daggers and a scimitar in the other hand and slash out and start hacking. These lizards are now being assaulted by these people and behind them, one burly man with weathered, dark skin, exposed chest, and these large, billowing, thick arms that look like two very long, five-foot serpents that come protruding out the sides of the shoulders into these two separate snakeheads, full with eyes and teeth, rush forward and slam, biting into the throat of one of the lizardmen. He goes (choking) and gets pulled to the ground.
# LAURA
Arm snakes? His arm snakes?!
# MATT
His arms are snakes. The two other people that you see: you see one male, one female. Both look human, but in the middle of this chaos you can see their eyes are bright yellow with the serpentine, snake eye slit in the center. Now the lizard men are pulling up their shields. One of them has been carved down on the ground. The one with the big hand has pulled the throat closed to the point where it's slowly dying on the floor.
They have completely gone into this combat between the two of them.
# LIAM
Roughly how far away is that fray?
# MATT
It's about 60 or 70 feet. They haven't noticed any of you here and you are currently completely in shadows. What do you do?
# MARISHA
(whispering) I tell them to hold.
# LIAM
Also, do I see anything glowing on Jamedi?
# MATT
No.
# LIAM
Okay.
# LAURA
Do you see anything glowing on any of the snake people, though?
# MATT
Too far away.
# MARISHA
We duck.
# TRAVIS
We're staying put.
# MARISHA
And watching. So it's snakes versus lizards, right?
# MATT
Yeah.
# SAM
This is the ultimate Godzilla movie.
# TRAVIS
His big arms are five feet? Like, these big-ass--
# MATT
Yeah. About a foot wide and they spiral upward and then they snap into giant fangs that protrude and snap on each. His face is intense and grinning. This is a hunting party. One of the lizardmen grabs his spear and jams it into the abdomen of the man with the snake arms. Looks back and hisses at him angrily. Manages to pull the spear free with one of the snake hands, leaps over, pole vaulting off the ground, the other snakehead coming out and snapping into the shoulder and chest area of the snakeman and then throwing him up into the air. You hear (screech) as he goes flying, spinning up into the boughs, lands on the ground. He stands back up, grabs his shield, and you can see him woozy. There's this black color where the impact of the wound was, and you see the veins growing dark. It stumbles and falls onto its knees and then falls to the ground.
# LAURA
Some people got venomous bites.
# TRAVIS
You ever seen an anaconda mouth? There are lots of teeth in there. It's real bad.
# MATT
One by one, you watch as each of the lizardmen are felled from the ambush and--
# TRAVIS
Three of the other party.
# MATT
Yes. Two of which looked to be comparably smaller creatures, but they just weren't prepared and while the three snakeman hunting party appeared to have sustained a few blows and injuries, they were successful.
# TRAVIS
The other two only had eyes that seemed off?
# MATT
Correct. As you're inspecting, you can see patches of skin across their shoulders and a part of the chest, you can see scales that appear and then vanish. With the battle done, the quiet hits, and they begin to walk off to a small patch where they had dropped some sort of a satchel. They start pulling out rope and they start tying the legs together of these lizardmen until they have two of them tied on one side and the other two tied ankle-to-ankle on the other. The one with the two snake arms picks up both and begins dragging them behind him in the jungle while the other two flank and look out into the grass below. They begin making their way deeper towards the path where they came, away from you. Their hunt successful, they're bringing their meal back with them.
# LIAM
The path that they took away, does it line up or deviate from the general direction that we have been heading in?
# MATT
The direction you've been traveling has been a little zig-zaggy, because it's been following Jamedi's path and the marking he's making, so you're not entirely certain. It seems it could be parallel to the path you're going, but since you don't know the final destination, you're not entirely certain if it'll line up with it or not.
# LIAM
Okay.
# LAURA
(whispering) Jamedi!
# MATT
His hand's still up, he's just watching carefully. (whispering) "Shh! What?"
# LAURA
Are we following them or are we going a different way?
# MATT
"We are not to get anywhere near these creatures."
# LAURA
Good. They eat lizard people.
# MATT
"So I have noticed."
# LAURA
Did you see his arms?
# MATT
"I did. It was quite frightening."
# LAURA
Oh my god. Imagine if it was his legs. How would he even walk?
# MATT
"It is a very good question. One that will keep me up late at night."
# LAURA
Yeah.
# MATT
You're not sure if he's joking. Do you guys do anything else or you just let them pass and continue on?
# TRAVIS
We're going to let them go.
# LAURA
Did they leave anything on the ground? Did they leave anything? Did they drop anything?
# MATT
Make an investigation check.
# TRAVIS
The canopy of trees above, right? There's no sort of--
# MATT
Yeah, it's a thick jungle canopy. It breaks in places.
# SAM
That was the greatest plan we've ever had. We flanked. The battle was just over!
# MARISHA
Yeah.
# LAURA
11.
# MARISHA
We didn't punch our way through shit!
# TRAVIS
It's a new day.
# MARISHA
Oh my god!
# MATT
Amongst the ground where the battle took place, you can see there are mashed plants and streaks of thick lizardmen blood, a few broken teeth that are scattered in the sand there, but nothing beyond that of value.
# LAURA
I take some teeth.
# MATT
Okay. So you get three lizardmen teeth.
# LAURA
Okay.
# MARISHA
I turn around and I say: Do we have anything that resists poison or venom?
# LAURA
I have a spell that I took this morning that will cure poison, but I don't have anything that protects from poison today.
# MARISHA
Caduceus, you raised your hand.
# TALIESIN
I've got both, but it's best applied when needed, really. There's only so much to go around.
# MARISHA
I feel like maybe with these people we should have a frontline party and a backline party. And maybe a little frontline poison resistance could be good.
# SAM
So put our two clerics in front?
# MARISHA
No! I don't mind going in front, mainly because I have no fucking range.
# LAURA
Do we have to keep whispering? Can we pretend we're still whispering, but let's not actually whisper?
# MARISHA
Can we do that?
# MATT
It's up to you.
# MARISHA
But if we give the, "We're stage whispering!"
# TALIESIN
(normal volume) This is my whisper voice.
# MARISHA
Just saying, these guys clearly have reach and I don't think we want to have all of us tangle with them.
# SAM
Who do you think should be in front?
# TRAVIS
Yeah, you make a good point.
# LAURA
What if we're in the middle because we're so heal-y?
# TALIESIN
That's fair. We'll be in the middle just in case things go wrong.
# MARISHA
You're so heal-y, yeah!
# TALIESIN
I'm pretty heal-y.
# MARISHA
I'm not going to volunteer to speak for anybody, but I know I'm better when I'm up in close.
# TRAVIS
I'll join you. Anybody else? Everybody else should stay at least 20, 25 feet back.
# MARISHA
Could you give the both of us resistance?
# TALIESIN
If we get into an altercation, I'll pop both of you as quickly as possible.
# LAURA
We should have somebody keeping an eye behind. Did you notice the snake people came up behind the lizard people?
# TRAVIS
Yasha should stay with the healers for sure.
# MARISHA
Yasha can look behind. (whispering) Yasha! Behind!
# MATT
"I-- I have been."
# TRAVIS
The whole time! You, me, Jamedi, and Avantika in the front.
# LAURA
Avantika's in the front? With you?
# TRAVIS
Is that all right?
# LAURA
Whatever.
(laughter)
# LIAM
I have been spending this entire debate looking north and remembering everything that I saw on the way here from the boat and just calculating an exit strategy, because I remember the things that I saw on the way here.
# MATT
Good to know. Now that enough time has passed and Jamedi feels comfortable he puts his hand down and goes, "All right, we press forward.
Follow me, I feel we'll have to make camp soon.
"There is a ruin in front that might give us some cover." Continuing on?
# LAURA
Jamedi, what if it was his dick that was the snake though?
# MATT
He keeps his eyes trained forward but goes, "I imagine it would be difficult to relieve oneself."
# LAURA
Probably.
# LIAM
(shouting) Or masturbate!
# MATT
He turns around and goes, "Shh! It is a valid point, but I need you to be quiet, please."
# LIAM
Good riddance.
# MATT
Continuing on, the sun sets, and the sky goes through its cycle of oranges to pinks to purples to blues. You haven't quite reached this aforementioned ruin before night falls. Now the evening insects begin to grow louder and louder.
The nocturnal creatures begin to let out the nocturnal calls. The perpetual din of the various clicks and cricket noises and other various flapping insects' mating calls into the night become this constant droning sound around you.
While the insect bites have subsided, this sound itself is uncomfortable. For those of you who are used to more comfortable sleep, you begin to dread the possibility of finding a night's rest in this.
# LAURA
Caleb, if you do the bubble thing, can the insects come in the bubble? Can you make it?
# TRAVIS
Well, Jester, doesn't it glow?
# LIAM
No, I'm able to affect its color and have it match. It still looks like a very smooth bubble that is 8-feet tall-- maybe not that big, but it can match the general color.
# TRAVIS
Just be dark and not attract any other attention?
# LIAM
Yeah, it does not glow.
# LAURA
Okay, then do it please!
# TALIESIN
Yeah-- this is great.
# LIAM
I spend the next 11 minutes, I pull out the book, unholster it and start doing a ritual cast, ja?
# MATT
Ritual cast of?
# LIAM
Leomund's tiny hut. Is this where we want to do it, Jester?
# LAURA
This is where we're camping though, yeah?
# MATT
Jamedi says, "Perhaps we wait until we get to the ruin, just so we have some cover beyond the trees."
# LIAM
Okay, just a little longer then.
# MATT
Who's keeping watch on this first bit of a night travel?
# TALIESIN
I'll take one.
# MATT
All right. Roll perception, as will Jamedi.
# TALIESIN
21.
# MATT
21? Okay.
# TALIESIN
I'll pop in the occasional low-level Light cantrip as far away from us as possible, just popping every now and then, if I think I see something.
# MATT
Okay. Following this little chain of lights that pop and glow as it goes, eventually you come upon the first signs of stone rubble. Some sort of structure was built here long ago, and has since fallen over, and elements of its masonry either moved or reclaimed for other structures elsewhere on the island, but you can see the basis of walls and joining positions where elements of this previous building were used to maintain and hold the ceiling that has since fallen in. There is a series of walked paths that carved through the various ferns and heavy bush, but you do find the back of one of these walls where Jamedi says, "This is where I slept previously. Perhaps this is "the best place to rest. So--" He begins to set up a small tent arranging against the wall. What do you guys do?
# LIAM
Do we want it just to be us and they have the tent?
# SAM
Kind of. I mean, is that rude?
# TALIESIN
They didn't bring any tents for us.
# LAURA
But remember that you can hear through the bubble, remember still, though. Okay. So we can't talk bad about them, though.
# TRAVIS
I think maybe we invite them in and one of us keeps out--
# LAURA
But do it like, "Do you want to stay with us?" but do it like this.
# SAM
Do you want to ask them with that stink face?
# LAURA
Yeah.
# SAM
Okay.
# LAURA
Captain Avantika and Jamedi, did you want to stay with us in the bubble?
# SAM
There's no facilities or anything.
# LAURA
It's stinky in there, but if you want to.
# MATT
Jamedi goes, "I am unfamiliar with what this bubble is you speak of?"
# LAURA
It's whatever. It's a little bubble.
# SAM
It's like a tent.
# LAURA
It's like a tent, basically.
# MATT
"I am okay." He heads back to configuring his tent. Avantika tilts her head and goes, "I "assume this is some sort of protective measure for your night's rest?"
# LAURA
Mm-hmm.
# MATT
"Then I would be delighted to join you."
# SAM
I mean, don't feel like you're obligated--
# MATT
"Believe me, it is my honor."
# LAURA
Great, cool.
# MATT
Sheathes the rapier, but keeps the dagger drawn, turned around in her hand so it's face down and looks over her shoulder both ways out towards the darkness. "So how spacious is this?" As you finish the spell, the strange, colored orb appears there on the side of the ruins.
# LIAM
At the surroundings here or what, we're behind a little bit of stone ruins, or--?
# MATT
Yeah, there's a couple of small stone elements there.
# LIAM
Then it's gray, the same color as the stone.
I have control of the color. Also out of curiosity, I am a transmutation wizard, so do I have a sense of how old the stone surrounding us is?
# MATT
The stone here-- make an intelligence check.
# LIAM
Ugh, bad roll. 12.
# MATT
You don't have specific information on it.
It's quite old. It might be older than this age, might have existed pre-Calamity, or at least somewhere in that neighborhood. But you're not entirely certain.
# TALIESIN
Mr. Caleb, want to take a walk, maybe? Really quickly around this thing, get a gander at it?
# LIAM
The thing is, if I exit this bubble now, then it goes away.
# TALIESIN
Oh, then I'll just report back in a minute.
# LIAM
I could do it again--
# TALIESIN
No, that's okay, better safe than sorry.
I'll let you know when I see.
# LAURA
Do you want company? Do you need anyone with you?
# TALIESIN
Oh, I'd love company, actually, just in case.
# LAURA
Okay. Beau! Nott! (whispering) Keep an eye on them, okay? Let me know what happens.
# TRAVIS
On who?
# LAURA
Shut up! I mean--
# SAM
On who, our friends?
# LAURA
Yeah, just-- forget it, let's go.
# TALIESIN
We'll take a look around this thing, and I also want to cast another Detect Undead, while we're walking.
# MATT
You're going to look around what?
# TALIESIN
I'm going to take a walk around this little ruin. I'm going to have the little Light spell up, see if there's any writing on anything, any carvings. I'm going to have Eyes of the Grave up again. I'm going to be looking for any undead.
# MATT
Okay. And you're accompanying him?
# LAURA
I'm watching his back!
# MATT
The rest of you are staying within the sphere, gray color, dimly lit on the interior? It can be whatever light source you want at this point. The two of you wander around the ruin. Make an investigation check, if you don't mind.
# LAURA
Can I help? Does that make it easier?
# TALIESIN
You roll too, maybe.
# LAURA
Okay. Nope.
# TALIESIN
12.
# LAURA
One! I'm not very observant today, okay? I've got things on my mind.
# MATT
Okay. As you walk through and pore over the ruins, the structure is fairly simple. This wasn't some beautifully-made stone hall. Most of the stones here were probably pulled from rivers or were smoothed over, and they're varying sizes, and the masonry is very simple.
# TALIESIN
Couldn't figure what it's a temple to, or any--?
# MATT
Not particularly. You don't know if it's a temple; it could have been an abode. It doesn't appear to be huge. There seem to be one or two adjacent rooms that were set in that space.
# TALIESIN
And nothing from the Detect Undead?
# MATT
Nothing from the Detect Undead, no.
# TALIESIN
Other than what I already expect to see?
# MATT
No.
# TALIESIN
What I expect to see is still giving off a little glow, right?
# MATT
Correct. What's the range on that?
# TALIESIN
60 feet, although I will say divination magic would also blind me to that, and if it was full cover, I would possibly not see it as well.
# MATT
Right, understood. Caduceus, what's your armor class?
# TALIESIN
17.
# MATT
As you're looking over the stonework and turning to Jester to mention you didn't see much--
# TALIESIN
The funny thing is--
# MATT
(impact) There is a shape that moves out of the shadows with incredible speed. The light, the faint color being emanated from Caduceus' cantrip immediately falls away and you see the streak of his hair disappear in the nearby shadow. I need you to make a strength saving throw.
# LAURA
Like he's gone? He's just gone in front of me?
# MATT
You watched him be pushed off into a nearby bush.
# MARISHA
Football tackled, just gone, okay.
# TALIESIN
Ten.
# MATT
That's a fail. You get pushed off, land on the ground, you tumble, and are held prone on the ground as what little bit of light you can see-- not having darkvision, unfortunately-- what you see is a faint glimmer of two large white fangs, a smattering of whiskers right before you, this growl sound, and a cluster of snake heads that bend around each side of the head.
# TRAVIS
I just peed a little.
# MATT
The bite attack hits you. That is only five points of piercing damage. Actually, it gets advantage on the second one. Okay, with the advantage it does hit, and the other one, the snakes all snap onto you, multiple snake bites, all biting across your face and your throat. For that, you suffer eight points of piercing damage and you need to make a constitution saving throw, please.
# SAM
Mr. Clay.
# TALIESIN
I mean, come on.
# MATT
Ooh.
# LAURA
Oh no, don't make that sound, Matthew.
# TALIESIN
And I need to make a constitution saving throw?
# SAM
You've got this, Mr. Clay.
# TRAVIS
Come on, snitch!
# TALIESIN
15.
# MATT
That's a success. You take half damage. You only take 12 points of poison damage.
# TRAVIS
Oh my god!
# LAURA
But he's not poisoned?
# MATT
Correct. Jester, you see the shape and you glance over and you can see with your darkvision this ten-foot-long leopard-like cat that is currently now pressed onto the chest and body of Caduceus. It bites down towards him and all these strange protrusions from around the shoulders and head area all strike down, as a few of them curl back and look at you and in that bit, you can see a few beats of light, faint bits of starlight and moon that are coming down and reflecting in the eyes of these snake heads. And you hear this (growling) up behind you on the ruin where you were just standing. I'll be right back.
# TRAVIS
We got ambushed!
# LAURA
What do we do?!
# SAM
Clever girl.
# LAURA
Oh no!
# TRAVIS
How far away are you guys?
# LAURA
I don't know if we're very far. I don't think we're very far away.
# LIAM
They went to do a perimeter sweep.
# SAM
Find out about these beasts on D&D Beyond!
# TRAVIS
Oh shit! That means there's probably more than two?
# SAM
Look at these palm trees!
# LAURA
This is really cool, though.
# MATT
Caduceus, you are over here. Jester, you are here.
# TRAVIS
Yeah!
# MATT
Now the rest of you are over-- so Jamedi's over here in his tent. The rest of you are all clustered inside the hut. Caduceus--
# LAURA
Oh god, it's so scary! It's a leopard with snake heads!
# MARISHA
It's a leopard with snakes!
# TRAVIS
Why would you make that?
# SAM
That's someone who was drunk at night and was like, "Let's just do this thing!"
# MATT
I need everyone to roll initiative.
Technically you guys don't hear anything, so we'll see when it comes around your turn.
# MARISHA
Wait, what? What do you mean, we don't hear anything? You said we heard through the bubble!
# MATT
You hear sounds, but there's been no sound yet. You guys have been setting yourselves up for the evening there. The only person that would have probably noticed would have been Caduceus.
# TRAVIS
And he is getting fucked up right now.
# LIAM
The good news is we're totally safe in this bubble and nothing can happen to us.
# SAM
And both of our clerics--
# TRAVIS
Both our healers are outside! Typical.
# MATT
25 to 20.
# MARISHA
Wow. Cool.
# TRAVIS
Nobody.
# SAM
Oh, someone roll for Yasha.
# MATT
If you want to get that?
# TRAVIS
Seven, plus-- I got to get her sheet.
# MATT
Yes, you do.
# TRAVIS
I think it's nine.
# LAURA
I need a Turkish delight before I die.
# MATT
25 to 20. Nobody? 20 to 15?
# MARISHA
18.
# TALIESIN
17.
# TRAVIS
Beau, Caduceus.
# LAURA
No! Stop! Look at all the powder falling off.
# SAM
We're going to eat that whole box.
# MATT
15 to ten.
# LAURA
13.
# MATT
All righty. Ten to five.
# TRAVIS
Yasha has nine. I have eight.
# SAM
Nott's sitting at seven. Oh, I'm at eight, actually. Eight.
# MATT
Fjord and Nott got the same. All right, Caleb.
# LIAM
Vier.
# TRAVIS
What?
# LIAM
Four.
# SAM
Eins, zwei, drei, vier.
# MATT
Beau, you're up first, but you have not noticed anything, so your turn is spent fluffing your space to sleep for the evening.
# MARISHA
You know what, Fjord? I think Jester is a little jealous. Just throwing it out there.
# TRAVIS
Jealous? Jealous of what?
# MARISHA
Shit, are you fucking serious right now?
# LIAM
Six seconds. Done.
# MATT
Caduceus.
# TALIESIN
I'm going to yell for help and then I'm going to--
# MATT
You all immediately hear--
# TALIESIN
Help! Then I'm going to tap my staff to wake up my beetles as my bonus action. My beetles are going to make a bite attack on that. I actually have that information now thanks to the update.
# SAM
On D&D Beyond?
# TALIESIN
On D&D Beyond.
# SAM
Wow.
# TALIESIN
So that's a swarm attack, they have a bite. That's plus three to hit, I believe. That's a 13.
# MATT
13 does not hit.
# TALIESIN
Okay. That's okay. Well, they're in the space right now. I'm panicking, so this is going to be fun. I'm going to start making a weird, awful sound, and I'm going to start getting even paler and a little gaunter, and I'm going to grab it and I'm going to cast-- I'm so panicked-- Vampiric Touch.
# TRAVIS
I like it! Get some of that shit back.
# TALIESIN
So since I'm in contact with it--
# MATT
It's a melee spell attack.
# TALIESIN
Melee spell attack.
# MATT
Go ahead and roll for an attack.
# TALIESIN
What is a melee attack here?
# MATT
It's a d20 plus your spell attack modifier.
# TALIESIN
Okay, plus eight. 20.
# MATT
20 hits. Go ahead and roll damage for the Vampiric Touch.
# TALIESIN
Oh man, this is mean.
# MATT
They're next and then Jester, you're up.
# LAURA
Okay.
# TALIESIN
That's 3d6. That's (counting) ten points of necrotic damage and I regain five hit points.
# TRAVIS
Atta boy!
# MATT
As you reach up, your hand grasps its throat and this strange hissing sound happens as you pull life force energy out of it. It's strange threads of purplish-black energy that pull into your body, your wounds healing up slightly.
# LAURA
So I can see that, huh?
# MATT
You can see a faint bit of energy coming out of Caduceus.
# TALIESIN
Help!
# MATT
Is that your turn?
# TALIESIN
That is, unless I can try and move away.
# MATT
You're prone, so it's half movement to try and crawl away. Or you can spend half your movement to get up and then you still have half your movement to try and escape if you want.
# TALIESIN
I'm going to try and half my movement to get up.
# MATT
All righty. So you get up from prone.
# LAURA
Well, that's good. I thought he was like on top of you.
# TALIESIN
I'm going to back up against you.
# MATT
To here.
# LAURA
Won't he get an attack of opportunity?
# TALIESIN
Will he get an attack of opportunity?
# MATT
You can go right there and not get an attack of opportunity.
# TALIESIN
Okay, perfect. That way if you get poisoned, I can un-poison you.
# LAURA
If you get poisoned, I can un-poison you!
# TALIESIN
Cool.
# MATT
That finishes Caduceus' turn. It's now their turn. The one up top who's hissing down at you, (long exhale). As its jaw opens, this semi-translucent rolling cloud of dust and gas emanates in a 30-foot-cone.
# LAURA, MARISHA
(intone "Semi-Charmed Life")
# TALIESIN
Both clerics. Why did both clerics go on a hunting mission?
# LAURA
We're the stupidest.
# TALIESIN
Yeah, we're so dumb.
# MATT
I need you both to make constitution saving throws, please.
# LAURA
Okay, okay, okay.
# SAM
Picking your dice.
# TRAVIS
It's like Avatar in the fucking--
# TALIESIN
20.
# MATT
20. You manage to resist the effect.
# LAURA
Nine.
# MATT
Jester, you inhale it, suddenly caught off-guard by it and your eyes blink and go dark as you fall unconscious.
# LAURA
So sleepy.
# MARISHA
She's unconscious?!
# MATT
Yep.
# SAM
Wait, like unconscious or asleep?
# MATT
Like unconscious. Not zero hit points, but asleep unconscious.
# LAURA
Like hardcore.
# MATT
Yes. All right.
# TRAVIS
Shit.
# MATT
It is going to move, jump down from here, and begin to move this way to flank you, Caduceus.
Now flanking you, is going to attempt to strike at you twice. Good to know, I forgot about that.
Bite, this one's claws, so it's going to be with advantage. Okay, that is going to make it an 18 to hit.
# TALIESIN
Why is it advantage?
# MATT
Because they're flanking you.
# TALIESIN
Oh, goddamn it. Yeah, that hits.
# MATT
All right, so the bite attack. You take six points of piercing damage and the snakes snap at you. That is going to be a 19.
# TALIESIN
That also hits.
# MATT
You take another-- ooh, that's ten points of piercing damage. At this point, as you're between the two of them, the one behind you that just put Jester to sleep, all its snakes snap around you, the back of your head and your neck and your shoulders, and you feel the poison through your veins. Roll another constitution saving throw, please.
# LAURA
Oh my god.
# MATT
Two of the clerics went out on a solo mission.
# TALIESIN
12.
# MATT
12? 12 just-- no, 12 succeeds!
# LAURA
Yay!
# TALIESIN
How do you have that spray and the snakes in the same-- that's just so much.
# TRAVIS
How many hit points do you--
# TALIESIN
Help! I'm standing.
# MATT
Half that is going to be 13 points of poison damage.
# TALIESIN
I'm kind of still standing.
# LAURA
He's like slumped.
# MATT
All righty, they're done. Jester, you are unconscious and sleeping.
# LAURA
I'm going to dream about the Traveler.
# MATT
That brings us to Avantika and Jamedi.
# LAURA
I'm dreaming that me and the Traveler are skipping over hills and picking flowers.
# MATT
"What the shit is that?" pulls out the rapier and the dagger, and darts, leaping over (counting), just seeing these creatures rushes forward. "Hiyah!" and is leaping forward with her rapier and blade and is going to make three attacks. The gray is going to be with the dagger, one rapier shot misses, then one for the rapier and one for the dagger hits. For the dagger, that is--
# MARISHA
Going for a nighttime stroll.
# TRAVIS
We are in a total danger zone, and we're taking strolls.
# MARISHA
(singing) Danger zone!
# TALIESIN
It was my own fault. I was suspicious.
# MATT
And another ten points of damage on that.
# TRAVIS
What? On both? Wow.
# MATT
It was a seven and a ten. Then Avantika seems to be holding both blades ready, preparing to defend herself. Jamedi, who stumbles out of his tent, is only half movement, glances over and can barely see what's there. He's on the inside of the dome, pulls out his shortbow, and is going to attempt to shoot it with an arrow and misses with a four. A natural four. There is no light source here; it seems to disappear in the distance. That finishes with his turn. That brings us to Yasha.
# TRAVIS
Yeah, Yasha will use her full movement to follow Avantika out of the bubble. The Bublé.
# LAURA
Can she flank it?
# MATT
She can get to about there.
# TRAVIS
Is that within melee?
# MATT
That is within melee, yes.
# TRAVIS
Great. She'll take a swipe. That is a 17.
# MATT
17 will hit!
# TRAVIS
So that's 2d6 right?
# MATT
2d6 plus an additional d6.
# LAURA
Did she rage?
# TRAVIS
No, she didn't. Because I-- yep.
# LIAM
He doesn't know barbarians.
# MATT
So no, it's just 2d6 because you weren't raging.
# TRAVIS
Great, six points of damage.
# MATT
All right. You added the three points for strength, right?
# TRAVIS
No! Nine points of damage.
# MATT
Nine point of damage. You got it. Second attack?
# MARISHA
It's real fun playing a character when you don't have their sheet.
# TRAVIS
Yeah. That's 16.
# MATT
16? That hits. Go ahead and roll damage. 2d6 plus three. Plus four technically because--
# TRAVIS
Oh, plus four? So six, so ten. Ten points of damage.
# MATT
Got it.
# TRAVIS
And with her bonus action, she would like to rage.
# SAM
Hey!
# MATT
There you go! That finishes up Yasha's turn.
Fjord and Nott, you guys up.
# SAM
I heard Mr. Clay. Let's go. I'll scramble out, going into the direction that I heard the sound and seeing all these folks over here.
# MATT
Okay, so you leave the thing, you can see everyone right there.
# SAM
Do I see the beast?
# MATT
You do. You see that one beast right there.
# SAM
I will kneel down and pew, shoot it in its hindquarters. That's a miss. 12.
# MATT
12 does not hit.
# SAM
Reload. Fire again. Wait, do I want to do this? Nope. I'll keep moving and hide behind that wall.
# MATT
Right here?
# SAM
Yeah.
# MATT
All righty.
# SAM
Bonus action hide.
# MATT
Role a stealth check.
# SAM
Okay, that's a 28.
# LAURA
Don't you get advantage because of your cloak?
# SAM
Sure.
# LAURA
You could get a 20.
# SAM
Still 28.
# MATT
You are stealthed there. Okay, so that finishes Nott's go. Fjord, what are you doing?
# TRAVIS
Can I use my 30 feet of movement to run that direction around the far side of the ruin? Yep.
# MATT
You come around the edge and you turn and see, right there in front of you, another one of these leopard-like creatures, and you're like, "Oh shit!" You didn't even notice there was a second one there.
# TRAVIS
Oh shit! I'll just fire both streams of Eldritch Blast from each hand.
# MATT
Go for it!
# TRAVIS
13.
# MATT
13 misses, unfortunately.
# TRAVIS
Second one. That'll hit. 23.
# MATT
That'll work.
# TRAVIS
Excellent. Nice. That's 11 points of Eldritch Blast.
# MATT
You blast and almost force it off of its feet for a second. It catches itself (growling).
# TRAVIS
Nice. Great, that's it.
# MATT
(hissing) All the snakes turn to look at you for a second. That finishes Fjord's go. Caleb, you're up.
# LIAM
I drop the hut, it's gone.
# MATT
It vanishes.
# LIAM
Seeing what I see, I've got the transmuter stone, I can see in dim light, so I'm feeling into my satchel and I take out some molasses and smear it on my hands and cast Slow on-- I'll come as far as I can over here, behind Yasha, to see what I can see.
# MATT
Over here you mean?
# LIAM
I will come this way, not getting closer to them. Yeah, that's fine. That's good. And cast Slow on the two creatures that I see.
# MATT
All righty.
# LIAM
DC 16.
# MATT
Yeah, all right, DC 16. That is a wisdom?
# LIAM
Yeah.
# MATT
All right, that is a success. 16 on the first roll. That's that one there. The other one, natural 17 plus two, they both succeed, I'm so sorry.
# LIAM
No, no apologies.
# TRAVIS
Good rolls.
# MATT
Those were good rolls on their part. Does that finish your turn, Caleb?
# LIAM
If I have any movement left, I will back away from that shit.
# MATT
You have maybe five feet, I'll say right here. So you start backing away. Back at the top of the round. Beau, you're up. The orb has vanished, everyone has rushed out, you look over and you can hear these growls, and snarls, and impacts. Combat is happening. What are you doing?
# MARISHA
Oh my pillow-- ah! Then I just run and I say: Nott! Duck! I jump over Nott and I'm going for this one in the back, 45-speed.
# MATT
Over this way, you mean?
# MARISHA
Yeah, that one in the back.
# TRAVIS
Oh, the one that I've been shooting at or the closest--
# MARISHA
The one that Fjord's been shooting at.
# MATT
All right. First off, roll an acrobatics check to make it over the wall.
# MARISHA
Yeah, 25.
# MATT
Yeah, you're fine. (counting)
# MARISHA
I'm going to come down, big Iron Man three-point landing, punch to its face.
# MATT
Go for it.
# MARISHA
Wow. Cool. Cool story, bro. 12?
# MATT
12 misses, unfortunately.
# MARISHA
I crack my knuckles on a rock and I'm like: Ah! And I roundhouse kick it with my second attack.
# MATT
Go for it.
# MARISHA
That's better. That's a 22.
# MATT
22 hits. Go ahead and roll damage.
# MARISHA
Wow, that's super great. Five points.
# MATT
Five points of damage with your second strike.
# MARISHA
Then I'm going to go ahead and-- I hit it, so I can do stunning-- no, I need to hit it twice for stunning strike, right?
# MATT
No, you just need to hit it once.
# MARISHA
Just once? Can I stun it?
# MATT
Yeah, all right, constitution saving throw.
That is a natural one. So you miss the first strike, but as you roundhouse kick, you manage to kick right up in its abdomen. You feel ribs break and buckle under the impact of the kick. Some sort of chain reaction spirals across its nervous system as it falls to its side. It is stunned until the end of your next turn.
# MARISHA
I'm going to spend another ki point and do flurry of blows for my bonus action.
# MATT
Yes, you can do that. Yes.
# MARISHA
And do pop pop, two more punches.
# MATT
Go for it. You have advantage on these, I believe. Yep.
# MARISHA
First attack. I'll take that natural 17, which I'm pretty sure hits for nine damage, and then second attack is a natural 20. Thank you, Gil. Roll two dice. That's double sixes! That's 12 plus four. No, wait. I double my die roll. I only roll once.
# MATT
It would have been fine. It's the same either way. So 16 points of damage.
# MARISHA
Sorry, 16 points of damage plus four, so 20 points of damage. Wait. No, 16 points of damage. Math!
# MATT
After it's stunned, you get up and wail on him. The second hit managing to plunge right towards where its kidney is, and you don't feel any sort of muscular resistance as your fist sinks about an inch or two into its body. You pull back.
It doesn't break the skin, but you can feel you hurt some meaty organs in the inside. Does that finish your turn, Beau?
# MARISHA
Yes.
# MATT
All right. Caduceus.
# TALIESIN
So there's a stunned one behind me? A stunned one on one side of me and a not-stunned one on the other.
# MATT
Correct.
# TALIESIN
I'm going to hit the stunned one with the Vampiric Touch.
# MATT
Go for it. You have advantage on it.
# SAM
You're at one hit point!
# TALIESIN
I'm at four.
# LAURA
He's getting Vampiric Touch. That means he'll get to heal a little bit.
# TALIESIN
It lasts. That's 17?
# MATT
Yeah, that hits. Roll damage.
# TALIESIN
That was close. Seven points of damage.
So I get three back?
# MATT
You heal three back.
# TALIESIN
So now I am at seven hit points. Now I'm going to vanish. I'm going to disappear.
# MATT
Okay. You turn invisible.
# TALIESIN
I'm going to turn invisible.
# MATT
Until the end of your next turn.
# TALIESIN
Yeah. I'm going to circle around and back off. Yeah. Then take a couple steps back. See if anything happens.
# MATT
It hears you moving and swipes out. It has disadvantage on the strike. The snakes swing out towards you. That is a 14 to hit.
# TALIESIN
That misses.
# MATT
You dodge out of the way. The snakes all snap out in the middle of the air.
# TALIESIN
I'm going to get a little further out.
I'm not going to go off the board or anything.
That's fine.
# MATT
Okay. That ends your go. It's now their turn.
# SAM
You're going to be fine, Jessie.
# LAURA
Yeah. Totally.
# SAM
You're asleep.
# MATT
The other one that currently, seeing all the individuals cluster in the area, begins to back up, and its torso swells and its lower jaw opens and (exhales). The other one now releases a similar burbling cloud right there. Avantika's going to have to make a constitution saving throw.
Fails. Avantika falls asleep.
# SAM
Is this a spray or a cloud?
# MATT
It's a cloud.
# SAM
So it goes around walls.
# MATT
Yep. I need you to make a constitution save, Nott.
# TRAVIS
Me too, right?
# MARISHA
Was I in that? Or no?
# TRAVIS
21.
# MATT
You're fine. Make it.
# MARISHA
13.
# MATT
You succeed.
# SAM
17.
# MATT
You succeed.
# LAURA
How about Yasha? Did Yasha roll?
# MATT
Yasha was just out of the range of it, actually. With that, it's going to attempt to run off this way and dart. Yasha gets one strike on it.
# TRAVIS
She'll make it reckless.
# MATT
Can't, reckless is on your turn.
# TRAVIS
That's right. Yeah! That's a 24.
# MATT
That'll hit.
# TRAVIS
She's raging so 3d6. Nice! 14.
# MATT
As she strikes wide with the blade, the creature (snarling). It's limping a little bit and it's trying to back away. It's unable to move from where it is. Its speed is reduced to zero. So it turns to now look at the two unconscious figures on the ground. That one is stunned so it can't do anything. Jester, you're up. You're asleep.
# LAURA
I dream--
# MATT
Avantika can't do anything. She's asleep.
Jamedi is going to move here next to the trees for cover. He's going to reload his shortbow and take a shot at that-- natural 20!
# TRAVIS
Oh! Get it, Jamedi!
# MATT
All right. That's eight damage with the shortbow.
# LIAM
Palms are sweaty.
# TRAVIS
Knees weak.
# MARISHA
Mom's Jamedi.
(laughter)
# MATT
(clapping) Well done. That's fantastic.
That's going to end his turn. That brings us to Yasha.
# LIAM
You just roll your eyes at us at this point.
That made me so happy.
# MATT
No, "Mom's Jamedi" is pretty great.
# TRAVIS
She'll run up and take her two swipes, reckless.
# MATT
She going to move?
# TRAVIS
Yes. There you go.
# SAM
Reckless, Great Weapon Master.
# TRAVIS
Yeah! You know it.
# SAM
Is she that? I don't know.
# MATT
She's not Great Weapon Master, no.
# TRAVIS
That's a natural 20. Dope!
# MATT
Roll 3d6 and then double that.
# TRAVIS
That's seven, 14.
# MATT
14 plus six, I believe. So 20 points of damage. Yeah. How does Yasha want to do this?
# TRAVIS
She'll see it sit there, and she'll reach up high, and she'll try and cleave off the front of the jaguar's head in one downward swing.
# MATT
The body attempts to leap and the head stumbles underneath with some of the snake heads.
The momentum carries it, but it runs straight into the base of the tree, crossing the way before (impact) on the ground. The head, still (growling). Coming to rest on the ground.
# TRAVIS
She still has one more attack, can she use the rest of her movement to move towards the jaguar? I think she has ten feet of her movement.
# MATT
She could, yeah. If she has the rest of her movement, she can use it to move up.
# TRAVIS
Is that melee or just outside of it?
# MATT
It's melee.
# TRAVIS
Oh great, reckless as well. 21.
# MATT
That hits.
# TRAVIS
Yeah! 14 points of damage. Plus three, right? Or no?
# MATT
The 3d6 only happens on the first attack. So it's only 2d6 for the second one.
# TRAVIS
Oh, thank you. Lets back it down to nine.
# MATT
Okay, got it. Plus six, so 14. Okay, got it.
That finishes Yasha's go. Fjord and Nott, you guys are up.
# SAM
I'll climb up over the wall and take a shot at the one remaining leopard. A pew pew. 21!
# MATT
21 hits! You have advantage on that shot because it is stunned.
# SAM
Advantage! Well, that's a weird roll. I'm going to do that again. It's still like 21.
# MATT
Yeah, so sneak attack on them.
# SAM
Yeah. Ugh, terrible.
# LAURA
Oh, I spit on you with that.
# SAM
That's okay. 15.
# MATT
15 points of damage to it, struck. The blow hits and sinks in. The creature's looking hurt, but it's still standing, though it is stunned.
# SAM
Damn. All right, I'll reload and shoot again, this thing is--
# MATT
With advantage because it's still stunned.
# SAM
Great. 26.
# MATT
26 will do, yeah.
# SAM
And then this is not a sneaky attacky, right?
# MATT
Correct. You only get once per round.
# SAM
Much better. 11, and I'll use Fury of the Small to make it 16.
# MATT
All righty, it's looking really hurt. It's real hurt.
# LAURA
Fjord gets it.
# MARISHA
Get it, Fjord.
# MATT
Well, Fjord, what are you doing?
# SAM
Oh, you know, maybe don't kill it. We can interrogate it.
# MATT
Because you guys are going at the same time, you can figure out, these are simultaneous.
# TRAVIS
I'll take just enough of a step back to use Eldritch Blast again and I'll fire both of them at it.
# MATT
Two strikes on it.
# TRAVIS
Eldritch Blast, 14?
# MATT
14 just hits. These are with advantage because it's stunned, don't forget.
# TRAVIS
Oh shit. The first one was better. 14 as well on the second one.
# MATT
Yeah, both hit.
# TRAVIS
Okay, great. (counting) 19 points.
# MATT
19 points of damage, how do you and Nott want to do this?
# SAM
What did you use to attack?
# TRAVIS
What did you do?
# SAM
I shot it with the thing.
# TRAVIS
I'll light it up with this crackling green Eldritch Blast energy coming from both of my palms, causing its fur to smoke and burn off and its snake heads to repel!
# SAM
Oh my god, that's so visceral and amazing.
I'll shoot it in the nose.
# MATT
Its torso erupts in green flame and energy, just (explosion). The body slinks to the ground in a smoldering cinder and as it's head (moaning), (arrow impact).
# TRAVIS
I'll look over at Nott.
# MATT
You guys all take a moment. Make a perception check of the jungle around you.
# MARISHA
Wait, who? All of us?
# TRAVIS
All of us. Six.
# LIAM
12.
# SAM
Oh. Jester's asleep.
# MARISHA
Three.
# SAM
Quick! Hey, hey, hey!
# TALIESIN
13.
# MATT
13, okay.
# MARISHA
Ten.
# LAURA
Keep hitting me.
# SAM
Hey! Fjord! She needs some mouth-to-mouth.
# MATT
You can use an action to wake her.
# SAM, LAURA
Oh.
# MATT
Jester, you come to consciousness and you're half-curled on Avantika, who's half-curled on you since you guys passed out right next to each other.
# LIAM
Caleb is going to quick-walk over to Avantika, kneel down and say, "Are you all right?!" with his back to Spaghetti and cast Identify on one of the swords.
# MATT
Okay. Make a deception check.
# LIAM
Okay. My back is to him.
# MATT
I know. There's still motions involved.
# TRAVIS
"Are you okay?"
# LIAM
It was almost a one, but it wasn't. That's pretty good. It's 19.
# MATT
As you bend down and focus on the blade-- which one, the dagger or the rapier?
# LIAM
The rapier.
# MATT
The rapier is a plus one rapier. Nothing too crazy or special--
# LAURA
Aw, should have focused on the dagger.
# LIAM
Pat the cheeks.
# MATT
Okay. She comes to and pushes you away for a second and pulls the blade and puts her back up to the wall and has both blades out and is coming to consciousness, but instinctually is defensive.
# LIAM
We're good.
# TALIESIN
I'm going to gather in and keep an eye out before I come back into visual-- I'm about to become visible again.
# LAURA
Did we win?
# SAM
We won.
# TRAVIS
I don't know that we did; there were only two of them, and because Caleb left the bubble, it disappeared, right?
# LIAM
It's gone, but it only takes me 11 minutes.
I don't know, are we safe where we are?
# LAURA
We can do the bubble here and have this wall take up some of the bubble space, or we can be right next to this wall.
# TRAVIS
We made a bit of a ruckus, that's the last thing you want to do in a jungle.
# TALIESIN
Are we what?
# SAM
Are you okay?
# TALIESIN
Uh.
# SAM
You don't look very good, Mr. Clay.
# TALIESIN
Thank you. I'm going to Cure Wounds.
# SAM
On yourself?
# TALIESIN
Yeah.
# LIAM
Did they seem like intelligent beasts?
# LAURA
I'm going to do it to you, too.
# MATT
From what brief encounter you had, it's hard to say. Make a nature check-- actually, no, this would not be a nature. This is not a natural creature. Make a general intelligence check.
# LIAM
That's better. That's a 20.
# MATT
20? They don't appear to be. They're more intelligent than some creatures in nature, but there isn't any sort of--
# LIAM
Still animalistic.
# MATT
Yeah, still animalistic. They are natural to this island at the very least.
# LIAM
Knowing that, I would recommend that if I make the bubble again, even if some more of them come, as long as we stay safe for the next ten minutes, if they come, we will be still and sleeping and all they would see is a round stone.
They're animals, they will leave.
# TRAVIS
Agreed. We should rally up back-to-back while Caleb casts it.
# SAM
Are we going to leave the two dead animal bodies right here, next to where we're camping? Because that could stink.
# LAURA
We'll move over to where our bubble was before, how about that?
# SAM
Okay.
# TALIESIN
I'll start them going too, so that wont be a thing for very long.
# TRAVIS, MARISHA
Start them going.
# LIAM
I will begin my ritual spell in the same spot.
# MATT
Okay.
# SAM
What were you guys doing out here?
# LAURA
I was sleeping. Did you notice?
# SAM
No, but before that. Why did you come out here?
# TALIESIN
What?
# SAM
I will whisper to you: Why did you come out here in the first place? Why were you walking around in the dark, alone?
# TALIESIN
No need to yell, that's all right.
# SAM
I'm whispering!
# TALIESIN
We were just looking at the temple, trying to get an idea of what it was.
# LAURA
Yeah, he was holding his light up really bright and seeing if he could find any words and stuff. I think they might notice some light.
# TALIESIN
Yeah, that may have been a poor call.
# LAURA
It's okay! We're learning things.
# TALIESIN
I definitely feel like I've learned-- I think I need to pass out.
# LAURA
A good night of sleep will do you very well.
# MARISHA
Does everything in this jungle have snake heads?
# TRAVIS
I think that's a fair assumption.
# LAURA
Or snake legs or snake arms or snake dicks.
# LIAM
Mecca lecca hi mecca hiney ho.
# MATT
You complete your ritual spell and the Tiny Hut is completed.
# LAURA
Into the bubble.
# MATT
At this point, Jamedi goes, "Actually, I will be, if possible, interested in staying within "this this time."
# SAM
Oh, all right.
# MATT
He grabs a few things from the tent-- and it's a very tight space. Nine creatures is the max, right? You've hit the maximum. You all manage to fit in there in a not terribly comfortable space.
# LIAM
Ten-foot radius, so 20 from one side to the other.
# TRAVIS
I still think one of us should stay up in shifts inside this bubble. Just in case.
# LIAM
Ja, I'll take the first shift. I'm good.
I'm very jittery tonight.
# SAM
I'll stay up with you.
# LIAM
Frumpkin, by the way, is flitting about a little bit from person to person while we talk.
Even lands on Avantika's shoulder a little bit and does a little--
# LAURA
I bring Sprinkle out from inside my hood and make sure he was okay during that whole fight.
# MATT
Sprinkle, who is not necessarily used to the type of weather, appears to be very uncomfortable in the heat and being tucked into the cloth and is like, (chittering).
# LAURA
I give him some water and some little food.
# TRAVIS
What are you doing to that poor dog?
# LAURA
I'm sorry, buddy. (kissing)
# MATT
This is the crimson weasel. The dog is with the Ruby of the Sea.
# TRAVIS
Eh, whatever.
# LIAM
Entschuldigung, I'm sorry. Now the owl is pitter-patting on Avantika's hat.
# MATT
Just walking along the hat?
# LIAM
Not constantly, but in a cute way.
# LAURA
Caleb-- I whisper in his ear: Make it poop.
Make it poop on her hat.
# LIAM
Are you putting the umlaut over the o's in the poop? Pyoop?
# LAURA
What are you talking about?
# SAM
You said "pyoop."
# MATT
Avantika puts the finger up towards Frumpkin.
# MARISHA
Don't do it.
# LIAM
He flitters up to the finger.
# LAURA
Make it poop on her finger.
# MARISHA
Unrealistic.
# LIAM
He does whatever I say. He bats his little one-ounce owl eyes at Avantika.
# MATT
"Interesting."
# MARISHA
Have you never seen an owl before?
# MATT
"Not one so small and adorable and is docile."
# MARISHA
Mm-hmm. It's pretty cute.
# LIAM
Frumpkin poops.
# MARISHA
Really? Hey, Avantika. How many dudes you think you killed?
# MATT
"What, in all of my years?"
# MARISHA
Yeah.
# MATT
"I don't know. I stopped counting at around 50."
# MARISHA
Oh. That's awesome.
# TRAVIS
That's a high number.
# MARISHA
Yeah, that's a big number.
# MATT
"But in my line of work, it's important to not hesitate when some drunk asshole tries to, I "don't know, take your ship."
# MARISHA
We can't relate at all, nope.
# MATT
"Well, anyway. I will be taking a nap with one eye open. Good night, everyone." She settles into her camping garb. Who's keeping watch? All right. Make perception checks for the first watch, guys.
# SAM
We're inside the bubble, right?
# MATT
Yeah.
# LAURA
But you can hear things.
# SAM
12.
# LIAM
One. Also, we're being very quiet because we don't want to be heard, but while we're in here, Frumpkin, over a period of ten or 15 minutes, you see this, goes (pitter-patting) along the ground and hops onto Avantika's boot.
# MATT
Okay.
# LIAM
(pitter-pattering) Eventually stands on top of her dagger, and I cast Identify through touch of my familiar. And he weighs one ounce.
# MATT
Yeah, that's true.
# TRAVIS
One ounce is good.
# TALIESIN
One ounce owl. It's the best band.
# MARISHA
The One Ounce Owl?
# MATT
Avantika, who, as mentioned before, was sleeping with one eye open, essentially, is rested there and then right as you begin to go through the actions of casting, there is a flash of motion.
# LAURA
(gasps) Oh, no.
# MATT
What is Frumpkin's armor class?
# LIAM
Oh, I'm sure it's terrible. Hold on a second.
# SAM
Go to the creature tab on D&D Beyond.
# LIAM
I am. It is 11.
# MATT
Frumpkin suffers five points of piercing damage as Avantika instinctually (slashing, panting).
# LIAM
Why did you do that?
# MATT
"Why did you do that?"
# LIAM
You know why I did that.
# MATT
"And you know why I did that."
# LIAM
Ey.
# MATT
"Be glad it was just your owl. Please do not go peering where it is not wanted, eh?"
# LIAM
Okay. Don't mind me while I make another owl. I begin casting Find Familiar to bring back Frumpkin as a one-ounce owl.
(laughter)
# MATT
Recycling Frumpkin.
# LIAM
I promised Beauregard an owl for a week, so I can't have my cat back. Ten minutes later, there's an owl. Watch is over.
# MATT
You finish your watch, seemingly uneventful.
Towards the tail end of it, you do see a shape of another one of those leopard-like creatures that stalks on the outskirts of the strange, opaque orb you've created and approaches it. (sniffing) Circles around it for a bit, prods at it every now and then. Spends about 40 minutes or so keeping a watch and then eventually loses interest and wanders off into the jungle.
# TRAVIS
Cool.
# LIAM
(whispering) I like cats.
# SAM
Not that kind.
# MATT
All right, next watch? Who's taking next watch? We only need one more watch; I think. Jester?
# LAURA
On the way-- because I got a pretty good amount of sleep during that fight-- can I ask Caleb, before he goes to sleep: Hey, Caleb!
# LIAM
Yeah?
# LAURA
Could we stick things through the bubble?
# LIAM
Ja, you can go out and in, and you can-- sorry. You can put your weapons through it, but no magic will go in or out. But you can leave and come back anytime you want.
# LAURA
Okay, just checking.
# LIAM
But please don't go on any walkabouts while we are sleeping.
# LAURA
I'm not going to, Caleb.
# LIAM
But you already did.
# LAURA
Well, that was for Caduceus. Don't worry about it, okay?
# LIAM
Do you promise?
# LAURA
Of course I promise. I'm going to stay in here.
# LIAM
That is good enough for me. Good night.
# LAURA
Good night.
# LIAM
(snoring)
# MATT
Make a perception check.
# SAM, TRAVIS
Jesus.
# LAURA
20.
# MATT
Jamedi stays up to also take watch with you.
Oh, nice. He sits across the opposite way, and you're watching this way over his shoulder, and he's looking over yours and doesn't engage in conversation, unless you wish to.
# LAURA
Have you ever seen those cat things before?
# MATT
"I have seen them my first time passing through here, yes, but I was quieter."
# LAURA
Yeah, we're pretty loud sometimes.
# MATT
"You are correct. This has been a bit more challenging than I originally anticipated."
# LAURA
Have you thought at all about the Traveler?
# MATT
"No."
# LAURA
Do you want a pamphlet?
# MATT
"I am confused as to what you are speaking of."
# LAURA
(whispering) The Traveler.
# MATT
"You are strange."
# LAURA
He's everywhere.
# MATT
"And creepy."
# LAURA
He's really great. I'll give you a pamphlet. I get it out, and I walk it over to him. Here.
# MATT
It takes a solid ten seconds of him inspecting it and looking up at you before he--
# LAURA
Just read it over. There's a lot of information in there. It's really important.
# MATT
"Much appreciated."
# LAURA
He's here right now.
# MATT
Tucks it away into the inside of his vest.
# LAURA
Traveler! If you're here, you should show him you're here so that he will like you even more than he already does! Just give it a minute.
# MATT
(farting noise) You're not quite sure who it was on that side that let one loose in their sleep, but the inside of the dome suddenly has a very fragrant air.
# SAM
Dutch oven.
# LIAM
To be fair, we all had Indian for dinner tonight, so it could be any one of us.
# LAURA
He has cast his blessing upon us.
# MATT
"Really, the most impressive of miracles."
# LAURA
How long have you been working for Captain Avantika?
# MATT
"Only for this journey and once before."
# LAURA
Do you like her a lot?
# MATT
"She pays well. Does not judge."
# LAURA
What were you doing before you were working for her?
# MATT
"Working for other people."
# LAURA
What's the craziest thing you've ever done?
# MATT
His eyes narrow at you. "I was the only survivor to the escaping singular mines to the "north area of the continent. How far have you traveled outside of the Empire?"
# LAURA
I'm from the Menagerie Coast, actually.
# MATT
"All right."
# LAURA
So that far.
# MATT
"I have delved into a few ruins. I have been lucky enough to survive by working alone. I have "seen many friends fall and disappear, but I have made my way. What's the craziest thing you have seen?"
# LAURA
Ever? In my life?
# MATT
"Sure."
# LAURA
Oh shit, I've seen some crazy shit. This one time I saw a bug carrying a piece of bread that was like five times its size and he was carrying it up stairs. Like up and then he would turn and then it would go up and then he would turn.
# MATT
"Will wonders ever cease?" (laughter)
"I'm going to concentrate on our surroundings for the remainder of our shift if you "do not mind."
# LAURA
Me too.
# MATT
He looks out. Now towards the tail end of your shift as the sunlight begins to slowly peak--
# LIAM
It's a slow roll laughter. It took a minute and then it caught like fire.
(laughter)
# MATT
There is some more shifting in the nearby bushes and you see two figures beginning to approach the sphere.
# LAURA
(whispering) Oh shit!
# MATT
"Shh." He gets his short bow ready and nocks an arrow.
# LAURA
(whispering) If they stab through--
# MATT
"Maybe. Just shh." As you guys wait you can see, similar to what you had previously seen in your travels on this island, two lizard men armored. One carrying a net that's slung over his shoulder, the other with a long spear both with shields off to the side. Not ready for aggression, but they both approach slowly towards the strange sphere and begin inspecting it.
# LAURA
(whispering) I put my hand on Fjord's leg.
# SAM
Upper thigh?
# LAURA
Shh.
# MATT
(lizard men talking) He pokes it with the spear. The other one steps forward and licks it.
They both begin to walk around and inspect it, prod and poke it. Jamedi-- you can see he's just looking out very intensely, bow notched.
# LAURA
(whispering) I poke Beau.
# MATT
They both circle around the back end of it, poke the dome a few more times. One of them picks up a rock and throws it at it. It skips off of the exterior of it and rests in a nearby bush. They both step forward one more time and smell it closely. They both turn around and begin to make their way in the opposite direction of where the dome is set, making their way further into the jungle clearing. One of them stops and looks back behind one more time at the dome and turns back and both of them vanish into the nearby brush.
# LAURA
Is it getting light yet?
# MATT
It is. There's no sign of the sun but it's that early morning soft blue that starting to overtake the evening's night.
# LAURA
We should wake up. Everybody should wake up. We should get out of here before they come back with more people.
# SAM
Who?
# LAURA
There were I think-- I couldn't tell. They were shadowy, but I think they were like lizard men or snake men.
# SAM
Oh gosh.
# TALIESIN
All right.
# LAURA
Could you tell?
# MATT
"I would say that they are probably very close to the ones we saw before."
# LAURA
Which ones? The lizard men or the snake men?
# MATT
"They appear to be of the lizard men heritage."
# LAURA
We should get out of here even though the lizard men are obviously the weaker of the two. Caleb.
# LIAM
Hm?
# LAURA
We should get up and get out of here.
# LIAM
Yeah, okay.
# MARISHA
They know where we are. They can ambush us.
# SAM
Did we get a long rest?
# MATT
You did get a long rest.
# SAM
Oh good.
# LIAM
Okay well, say the word and I'll pull it down.
# TRAVIS
Let's get everything together first.
# TALIESIN
Yeah.
# TRAVIS
Jamedi? Following you.
# MATT
"All right, collect your belongings." He goes over and starts disassembling his tent quickly, rolling it up and putting it into his pack over his shoulder. You guys gather your things.
# LAURA
Should we make the brush look like we weren't sleeping on it and stuff?
# SAM
Why?
# LAURA
You know, so that they won't be able to like--
# MATT
Make a survival check, Beau.
# MARISHA
Okay. Following Jester's lead--
# LIAM
Do the running man in the mud, Beau.
# MARISHA
It's not great. Nine.
# MATT
There are a series of foot grooves in the dirt--
# MARISHA
Good enough.
# SAM
Yeah.
# MATT
It doesn't look like anybody slept here. It looks like a bunch of people kicked here.
# LAURA
Okay, good great.
(laughter)
# TRAVIS
River dancers.
# MATT
Yeah. You gather your things. Jamedi leads you back towards the jungle. "All right a few more "hours and I think we'll be in the outskirts of the village."
# LAURA
I cast Pass Without a Trace on all of us again.
# MATT
All right. So... yes?
# SAM
Mr. Jamedi? What are we going to find when we get there? Are there any baddies?
# MATT
"Oh there are plenty of these snake people where they live. We'll have to be very quiet.
"We'll have to gauge our passage through their town and try to not be seen. And if we are seen, "eliminate whoever catches us before it can notify the rest of them of our presence. Make our way "towards the central structure. Trust me. You'll know it when you see it." He looks back to Avantika and says "And I believe that is the quarry in which you paid for, beneath that.
"Correct?" Avantika goes "That is correct. In we go and see where it takes us. So shall we? Jamedi, "lead the way." "All right come forward." You all begin to slowly make your way into the jungle as you cast Pass Without a Trace and we'll come back at the end of the break.
# LAURA
Whoa!
# LIAM
Owl on your head.
# MATT
There you go.
# MARISHA
Oh no god!
# MATT
Stealth owl. All right, we're going to take a quick break and come back to that with that stealth check and this next leg of the journey into the island of Urukaxl. Um... what's up?
# SAM
The giveaway just happens now. We don't have to say anything.
# MATT
Yeah, well...
# SAM
Oh we do?
# MATT
No, we do. It's still here.
# SAM
Awesome.
# MATT
So we have our fantastic Wyrmwood giveaway tonight. We have-- here we are. So moving forward you'll have to move into the chat-- that's how it's been-- move into the Critical Role chat on Twitch. That's twitch.tv/criticalrole. To win tonight's awesome Wenge Turquoise Inlay Halloween Dice Vault.
(Oohs)
# LAURA
What does it say?
# MATT
It's available now through Halloween on Kickstarter for it.
# MARISHA
Halloween!
# MATT
Yeah.
# MARISHA
It needs to be all the time.
# MATT
It's a dice vault that keeps all your dice magnetically held together and it has this cool, glowing runic sigils on it as well as this glowing Wyrmwood symbol. You can find these at Wyrmwood on the Kickstarter currently. The keyword tonight is jungle. So go ahead and put jungle in once. More than once you'll be disqualified. Once again, only available for those in the U.S. and Canada, excluding Quebec. We're working on it. Anyway we'll be back here in a few minutes. We'll see you guys shortly.
Welcome back everyone. So, before we back into the story we have our winner for the dice vault giveaway. Our winner is wolfstarumbra.
# TRAVIS
Ooh.
# MATT
Now if that doesn't sound like someone's D&D character, I don't know what does.
Wolfstar, congratulations. We'll get your information and the dice vault sent out to you.
# MARISHA
It's like a synth wave album.
# MATT
It is true. We are... wolfstarumbra (synth noises).
# TALIESIN
Wolfstar is a total space cowboy.
# MATT
That's true. Sorry, wolfstar.
# TALIESIN
Thank you, wolfstar!
# ALL
(laughter)
# MATT
All right. So now in the early morning daylight--
# LAURA
I'll be right back.
# TRAVIS
Okay.
# SAM
Oh no.
# LAURA
Keep going.
# MATT
In the early morning daylight on Urukaxl Island, you trudge deeper and deeper into the jungles, as the low mist in the jungle begins to burn away as the day itself grows warmer. All of you getting a bit more adjusted to the temperature and general atmosphere. Beau, you're feeling a little rough.
# MARISHA
Ah?
# SAM
What?
# MATT
You get this sweating a little bit and this soreness in your body and this general body pain, kind of a dull pain throughout.
# LIAM
You've got mono.
# MARISHA
Nope. I'm great.
# MATT
Just kind of (sighs)... you're not quite sure why it's come over you. Pressing on, Jamedi leads you for about another hour and a half, two hours through the jungle before putting his hand up once more to stop you all. Oh we didn't make the stealth check actually. Because I said when come back, yes.
# TRAVIS
Pass Without a Trace.
# MATT
Pass Without a Trace everybody.
# TRAVIS
And do I still have-- no I don't. Not anymore.
# LIAM
Yeah! Natural 20 plus 10!
# TRAVIS
Do I have the thing?
# SAM
I think that was my--
# TALIESIN
Please tell me you've got Pass Without a Trace up?
# LAURA
Yeah.
# TALIESIN
Thank you.
# SAM
That was my seventh four of the night.
# TRAVIS
I don't happen to have the blessing on me? Laura!
# LAURA
You rolled with advantage right?
# TRAVIS
Do I have a blessing anymore?
# MATT
No you've slept.
# LAURA
I didn't.
# LIAM
The blessing.
# TRAVIS
14.
# MATT
14.
# MARISHA
33.
# LIAM
Woo!
# TALIESIN
Are you even here?
# LIAM
30. Maxed out. Jeez.
# SAM
Laura reminds me that I roll with advantage so I'm at a 30.
# MATT
There you go. Caleb?
# LIAM
30.
# LAURA
34.
# TALIESIN
15.
# MATT
Okay and then Yasha. Natural 18, not bad.
# SAM
Wow. Stealthy mofos.
# MATT
You guys are cruising your way through the jungle and using that score as you approach, Jamedi with his hand out behind him stopping you.
Glancing just past his shoulder, you can see the jungle trees begin to clear and the first thing that catches your eye beyond this treeline, you can see a few dozen scattered stone buildings, most of them in relatively good shape, immediately coming into view. You can see the stone coloration is more of a sandstone, yellowish to a dull gray and white with different materials used to accent elements of the constructions. This doesn't match the ruins you previously slept in the night before. These appear to be fresher. You can see the verdant green jungle vines and roots begin to entwine and tangle near the base of some of them and where it's built looks like parts of the jungle have grown up around and helped camouflage elements of this small village. You can see elements of the exposed stone carry snake-head obelisks that appear to be softly carved from bits of a marble material or recovered stone in a similar way that most of the construction has been done.
# SAM
Does it look like the figurine that I recovered earlier?
# MATT
Similar sculpt and design though larger and of more detail. You see these obelisks about ten feet tall and they tend to be markers at different intersections of travel. You can see probably a dozen or so folk immediately at this position that you're at that are wandering through this city.
Some are gathering materials. You can see-- actually up the way across one of these walls, you see four figures that are strung up by their feet.
You can see the remnants of the lizard men that are in the process of having the flesh filleted from their bodies.
# ALL
(moans of disgust)
# MATT
You see one of the more humanoid ones, probably one of the hunters that you saw alongside the snake-armed man, is there with the blade, stripping it off the bones and sloughing it into a pile next to it where you hear (squelching) over on top of each other.
# LAURA
Oh that's fucked up. What do the obelisk eyes look like?
# MATT
Make a perception check.
# LAURA
Eight.
# MATT
Hard to tell at this distance. You'd have to get a lot closer.
# LAURA
Okay.
# TALIESIN
Who's got the mote this morning? Who moted? Who dodeca-ed?
# LAURA
Oh dang we were going to pass it around.
# MARISHA
We were yeah.
# LIAM
It's somewhere in the building. We'll find it.
# MARISHA
Okay.
# SAM
Give it to Fjord again. This is his day.
# LAURA
Okay, Fjord.
# TRAVIS
Well I was going to--
# LAURA
Stare at it. Look into its eyes.
# TRAVIS
You don't want to give it to Caduceus?
# TALIESIN
I will not say no to it.
# LAURA
Look into its eyes.
# TRAVIS
Give it to him.
# TALIESIN
I don't know-- oh.
(laughter)
# MATT
All right, you take your mote of possibility.
# LIAM
And we are hanging back at this point but not in the thick of it. We're seeing this all from a distance? I was thinking about spells. Yeah.
# MARISHA
Remember if anything goes down, Fjord and I will take point. Caduceus, I noticed before it seemed like you guys were poisoned immediately, but not lingering?
# TALIESIN
Oh yeah, I'm feeling fine.
# MARISHA
Are you? I'm not, like, saying anything.
# TALIESIN
Why?
# MARISHA
What?
# TALIESIN
You seem a little--
# MARISHA
Nope!
# TALIESIN
You sure?
# MARISHA
Yep!
# TALIESIN
I can do a--
# MARISHA
Nope. Great.
# SAM
Do you feel okay?
# MARISHA
Yeah.
# TALIESIN
Does she look okay?
# MATT
Make a medicine check.
# TALIESIN
22.
# MATT
Looking at her; while all of you are fairly warm and sweaty, her complexion is paler than you recall. There is quite a bit of sweat, more so than expected, that is streaming down her body.
Her vision appears to be not as focused and she's not making eye contact with you as she speaks to you. Lids are a bit droopy. She doesn't look healthy.
# TALIESIN
You don't look okay. Are you sure-- you really don't look okay.
# MARISHA
Fuck you.
# TRAVIS
Okay.
# TALIESIN
Well.
# TRAVIS
There might be some leeches in this jungle. Maybe some ticks?
# TALIESIN
I'm just offering something medicinal.
# LIAM
I'm ritual casting through this discussion.
# MATT
What are you casting?
# LIAM
Comprehend Languages.
# MARISHA
Do you see red stripes?
# TALIESIN
No.
# MARISHA
I feel stripey, I don't know why.
# TALIESIN
You're clammy and--
# LAURA
Should we try to--
# SAM, LAURA
Heal you or something?
# MARISHA
I'm great. I'm awesome. Are you itchy?
# LAURA
Okay, you haven't been around her as much, when she tells you don't do something-- well, usually don't do it-- but okay, that's weird.
# SAM
Maybe it's a human thing.
# LAURA
She's hiding that she's actually not okay.
# TALIESIN
Hold on.
# MARISHA
(sulky) No.
# TALIESIN
You should take this.
# MARISHA
(sulkier) No.
# SAM
Is it tea, what is that?
# TRAVIS
Yeah, what is it? Give her mushrooms.
# TALIESIN
Take a look at this, just want to take a look. Smell it, does it smell bad?
# MARISHA
Yeah, you smell bad.
# TALIESIN
It's a clever distraction. I'm touching her and casting Lesser Restoration. Don't think I've never done this before.
# TRAVIS
Smell this. Bip.
# MATT
Okay. You finish casting the spell, the energy subsides, you pull back and there's no change in her demeanor.
# LAURA
Oh no.
# MARISHA
Don't touch me.
# TALIESIN
I apologize. That's weird, though.
# LAURA
Oh I'm sorry, I was wrong: she's just a bitch.
# MARISHA
I get that a lot.
# TALIESIN
You really don't look okay. Just for fun, really quickly--
# MATT
Based on your medicine check, it looks to be not a toxin. This is more of a disease taking hold.
# TALIESIN
Just out of curiosity, one check for undead really quickly.
# MARISHA
I'm diseased!
# LAURA
Oh no, Beau.
# MATT
For the time being, just as a note, as this is coming to be noticed, all of your constitution saving throws are at disadvantage.
# MARISHA
Oh great!
# TRAVIS
Did you get hit in the fight?
# TALIESIN
No.
# MARISHA
No. I just--
# LAURA
You must have caught something from weird bugs.
# TALIESIN
Does Eyes of the Grave show anything here?
# MATT
No.
# TALIESIN
Okay.
# LAURA
Oh, you got malaria!
# TALIESIN
All right. I did what I can. Does it seem contagious?
# MATT
Not from what you can tell. You're not entirely certain what the disease is.
# LAURA
Oh no, Beau! I'm just not going to stand near you, okay?
# MARISHA
That's okay.
# MATT
It's some sort of an insect-distributed jungle ailment.
# MARISHA
It's the con plague. We just got back from New York.
# TALIESIN
You joke, but like a third of our people are down. It's very empty out there.
# MATT
Yeah.
# LIAM
It's just Ed.
# TRAVIS
And nanny fell, too.
# MATT
But at least she got to watch our driver almost beat up that guy.
# TRAVIS
That's true!
# TALIESIN
Too much for me.
# TRAVIS
Didn't know the Incredible Hulk was in this motherfucker, did you?
# MATT
That was amazing. Anyway, back to task.
# TALIESIN
Yeah, just be careful what you touch for a little while, we need--
# MARISHA
I'm always careful with what I touch.
I've... Let's just keep moving.
# MATT
As you guys slightly press forward, Jamedi showing you a bit of a path off to the side. He glances towards the path where he was going and one thing that catches your attention is you've seen the men with the snake arms, you've seen the folk with the scaled skin patches. What you see now, towards this one stairway portion that now leads to what you previously didn't see below the tree line, but a massive stone structure beset by these stairs on each of its five sides. Envision like a semblance of an Aztec pyramid, but a five-side shape that levels off at the top and there are stairs on each of these five sides. At the base of the nearest one, you see less of a man and more of a giant snake, maybe twelve to fifteen feet long, coiled and muscular. But to a humanoid torso with two heavy log-like arms that rest at its sides. One resting on this large sheathed scimitar-like blade, its head curled up into this heavy, straight serpent snake-like mouth as its jaw kind of hangs open and its tongue (hissing noise). It's just keeping an eye and it slithers across the road, bowing from side to side as it looks across the tree line.
# TRAVIS
At the base of the structure it's doing that?
# MATT
The base of the structure. You're seeing a variety of these snake people going about their lives. This one is just keeping a watch in that one element and Jamedi you can hear curse under his breath. "It was the path I took to the inside last time. We're going to have to improvise. Which "way do you want to go?"
# SAM
We're trying to get into the center of this, all of this?
# MATT
Avantika's like, "Of course, inside that big thing right there."
# TRAVIS
Okay, so if-- I'll go over to Jamedi. If we can clear him, is the path you've taken before clear as far as you can see. I don't know which way you went?
# MATT
"As far as I can remember it was fairly clear but it is also-- I had to ensure that there "was not many watching. They have these-- like right there." He points over the side and you can see along the stairs almost like a withered person. You see them, like a smaller human, hunched forward, their body a light green tint to itself, kind of this wrinkled, scaled body, its neck protruding and curved outward. It looks what a-- like the lizard folk you had seen earlier but with a longer neck and almost geriatric in the way they carry themselves forward, lumbering. Carrying a large spear and appears to be watching like a sentinel across the upper portion of this large stone structure.
# LAURA
So it's got a lizard face? Not like a human face with a really long neck?
# MATT
From what you can tell from this distance, it's hard to see but it looks to be more serpent and more snake-like.
# LAURA
Like the Beetlejuice part where his head goes--
# TRAVIS
Can anyone create a distraction that doesn't put their own person at risk?
# SAM
Sure.
# MARISHA
Jester.
# MATT
And you can see there's about four or so buildings between where you are and the base of the structure. There's a small village that surrounds the base of this temple. And so you guys have to find your way through this city.
# LAURA
This city without being seen? There's a big group of us.
# TRAVIS
It's not us, clearing, and then the building. There's stuff.
# LAURA
Can we make ourselves look like the snake people?
# SAM
Sure! Some us can.
# MARISHA
I can't.
# TRAVIS
Although we could throw you in a net and act like you were dinner.
# SAM
Yes, yes.
# MARISHA
Okay.
# LAURA
What's wrong with that?
# TRAVIS
Who's got a net?
# LAURA
Hey you two, can you make yourself look like snake people?
# MATT
Avantika goes, "Uh, that is not really a specialty of mine. However, I'm very good at not "being seen." And Jamedi goes, "It's also my specialty. Perhaps we can come from a different "direction, smaller group. The two of us can meet on the way."
# MARISHA
You know what, maybe I could go with them.
# LIAM
I did not prepare the spell to disguise myself. I thought we would be fighting monster people, so...
# MARISHA
Such a bitch. Sucks.
# LIAM
What?
# MARISHA
Saying that as a person. I'm just commiserating. Moving on.
# LIAM
Are you Marisha or--
# MARISHA
I was, yeah. How about I go with these guys, with Jamedi and Avantika?
# MATT
They both look at you and say, "The whole point of this was to make it a small group. The "more we add to this group, the harder it is for us to do this."
# MARISHA
Three is a small group.
# LAURA
Can you be invisible?
# TRAVIS
How many of us can change? One, two, three, four.
# SAM
But not these two.
# TRAVIS
Awesome, great. Two of us, one each take, tie them up in rope--
# SAM
As prisoners. They're humans, they're disgusting, filthy pink skins.
# LAURA
But still we move really stealthily.
# SAM
Oh wait, Yasha.
# MATT
Yasha's just sitting there with her arms crossed just listening to the whole conversation going--
# SAM
Can you change your appearance?
# MATT
"I mean, kind of."
# TRAVIS
Kind of?
# LAURA
I don't think she can do it like we think.
# MATT
"Like, the wings?"
# TRAVIS
Yeah, that's less of what we're looking for.
# SAM
We could make a distraction. Some of us can snakey.
# LAURA
Maybe we do separate into smaller groups and try to stealth it.
# SAM
The ones who can't change can go first and we'll make a distraction and then the ones who can can just walk in after.
# TRAVIS
Yeah.
# LAURA
Oh my god, okay.
# LIAM
Comforting.
# SAM
You'll have Yasha with you. And Beau to protect you.
# TALIESIN
But without you, they're not going to be as sneaky. We have to stay together if we're going to want to be super stealthy.
# LAURA
That's a really good point.
# TALIESIN
Together probably is better.
# SAM
They won't have to be sneaky if we make enough of a distraction, right?
# LAURA
What if we don't make a distraction. We make them look like prisoners, we still try to be sneaky, but then if we're caught, then we have an excuse.
# SAM
All right. All in favor of that plan?
# TRAVIS
Sure.
# SAM
That's one vote.
# TRAVIS
Yeah.
# LIAM
What do we think that these beings' reaction will be to not lizard-people being on this island all of a sudden?
# TALIESIN
Or for that matter, if we can't speak to them?
# LAURA
I think they will probably try to--
# LIAM
You think it's an every day or every week or month occurrence? I think we're probably pretty special here.
# LAURA
I think they might try to kill us and then eat us like that guy over there.
# TRAVIS
I think we should try and be as sneaky as possible. If for some reason shit hits the fan, I can make a pretty, I think, spectacular distraction that doesn't put me or us at risk. But I think we should try stealth first.
# TALIESIN
Stealth with a couple emergency back-up snake looking people.
# TRAVIS
Stealth, distraction, fuck shit up. Cool?
# MARISHA
Okay, so--
# SAM
Can you make a distraction far away from us?
# TRAVIS
Yeah.
# MARISHA
If Caleb and I move together, you have your Message spell that you can send back and forth to Nott.
# TALIESIN
We all have to move together.
# MARISHA
Oh, that's what we're doing?
# LAURA
Well you guys aren't as stealthy without being within 30 feet of me--
# SAM
Oh boy.
# MARISHA
Maybe we do the live bait thing, I don't know.
# TRAVIS
What, act like you're tied up?
# MARISHA
Maybe.
# TRAVIS
Yeah, we'll do it anyway.
# TALIESIN
That's if they see us.
# TRAVIS
We'll tie your hands in the front.
# TALIESIN
If they don't see us, it doesn't matter what they look like.
# MARISHA
Okay, okay.
# LIAM
I think that if anyone that looks like me or you shows up on this island, anyone who sees it is going to come asking questions immediately.
# TRAVIS
I agree.
# LAURA
What if-- do any of the people we see walking around, do any of them wear cloaks?
# MATT
Make a perception check.
# TRAVIS
That's not a bad thought.
# LAURA
14.
# MATT
Looking around, you don't see many cloaks.
The weather here is warm enough to the point where there isn't the need to bundle. There's no need for hoods because the society here wants to make sure they can very quickly identify who's a part of their faction and who isn't. So yeah, there's no cloaks. You see what are like open robes, simple bits of cloth just to cover aspects of the body for protection from the sun or otherwise, but beyond that it's mostly just skin and scales.
# LAURA
But there are some people that look just like people?
# MATT
There are people that look mostly like people from a distance, but upon closer look, their skin in places that gets a greener hue in patches, their eyes are yellow. Very snake-like eyes. Sharper teeth.
# LAURA
I will use my disguise kit and try to make it look like they've got scales on them. They will probably know the people in their own fucking village, though. Let's be honest.
# TRAVIS
Are there several dozen people, or is it--
# MATT
Now that you've watched, the first view you had was only the first few buildings in front of you. Now that you've stepped forward and glanced, you can see there's maybe about 30 to 40 buildings that sit around the base of this entire temple.
You've seen a few dozen in the streets, so the society here, you can assume somewhere in the neighborhood of like one to three hundred people live in the city total.
# TRAVIS
Let's do that, yeah.
# MARISHA
That's a lot of people.
# TRAVIS
I'll use Mask of Many Faces to look like one of those fucks and let's try to paint some scales on the non-changeling folks.
# LAURA
(makes blipping noises)
# MATT
Okay, so you're applying them to Yasha and Beau and Caleb?
# LIAM
And the clothes we've seen on these people are like what? They're purple robes you've mentioned?
# MATT
Purple robes, simple cloth skirts. Most of the whole thing that's worn there is for general protection and adornment. You can see jewelry adorning some of them, but it's very simple and it's more for purpose than anything extravagant or presentational.
# LIAM
(groaning) I begin to put-- ugh-- my spell books into Fjord's bag.
# TRAVIS
Of Holding?
# LIAM
Yeah, I can't have ornate book holsters and-- ugh. Trying to make myself look as simple as possible.
# LAURA
Disguise Self!
# MATT
Avantika goes, "I'll be watching. Au revoir." And she kind of--
# TRAVIS
Where are you going? Where are we meeting? At the temple? At the top?
# MATT
"I figure the top of that would be a very effective place to meet. Is that not correct? That is where you entered last time, non?" She turns to Jamedi, who's keeping low to the ground and goes, "That is indeed where I was. There is a room inside there I could not walk into. I could not find a way through. That is when I returned. So we'll meet there." Avantika goes "Au revoir." Waves her hand through the air, and marks a few symbols and you watch as she disappears.
# LIAM
I had that spell once.
# SAM
Are these guys painted green? Is that what we're doing?
# MATT
That's what we're going to find out right now! You're proficient with your disguise kit, so it's proficiency bonus plus I'll say dexterity check to see how well you can apply these details to their bodies. Roll for each one of them.
# LIAM
I'll look like a 1980s Halloween costume.
Come on.
# MATT
For Caleb?
# MARISHA
State fair, all the way.
# LIAM
Make me look like Spiderman.
# LAURA
Eight.
# MATT
Caleb has these green circles on his face in splotches. And you're like, "Great!" For Beau?
# LAURA
Okay, that's way better. 17.
# MATT
Beau, actually, pretty good job; the linework and shading you had done in these various patches on the inside of the brow line helps make her look a little more snakelike. You've sunken the jowls, you've done the scattered patches with the patchmarks.
# LIAM
You look pretty convincing. How do I look?
# MARISHA
Polio?
# LAURA
Now that I'm seeing how good I did on Beau, I'm realizing how shitty Caleb is, but I'm not going to tell him.
# LIAM
What do you mean-- what did you say?
# MATT
Yasha seems strangely excited. "Me next, me next."
# LAURA
Okay, okay. Oh.
# TRAVIS
Is that a one? Shit. God-- why did you roll out that big fucker?
# SAM
It was good before!
# LAURA
This one's from Sam!
# MATT
You guys look amongst yourselves while she's working on Yasha, and finally she finishes, and voila! Pulls back, and it's just Grinch. Just green, head to toe. Bright green. It's pretty bad.
But you feel pretty confident about it.
# LAURA
You look amazing. It's a really good color on you.
# MATT
Yasha goes, "Okay. Let's do this."
# SAM
I'm going to grab Caleb and be like: You're going to be fine out there. It's going to be fine.
Just think like a lizard, right?
# LAURA
What do you mean she looks bad? I think she looks really good, Caleb.
# SAM
I'm going to take some flowers and just stick one in his hair for good luck.
# LIAM
Is that better?
# SAM
I don't know. It's good luck, though!
# LIAM
I lean in, way in, to Nott's ear, and say: (whispering) Oh, by the way, Caduceus says that Jamedi is actually a dead thing.
# SAM
What?! What?! No, but what? Shit! Why are we following him, then?!
# MARISHA
I lean in and say, Are we whispering now? We whispering again?
# SAM
No, they're gone!
# LIAM
(whispering) I was telling Nott that Jamedi is a dead thing. Caduceus says Jamedi's dead.
# MARISHA
What?
# LIAM
(whispering) Keep it on the DL.
# MARISHA
The dead-low?
# SAM
Why are we following him?
# LAURA
Just because he's dead doesn't mean he's a bad guy.
# LIAM
(whispering) Are you whispering too?
# LAURA
Yes, of course I am!
# LIAM
(whispering) We don't have a choice!
# SAM
What if he came here, was killed, and was sent to come get us to bring us back as feeding for whatever's down there?
# LIAM
(whispering) What if we let the pirate queen tie rocks to our feet and we're dead?! We have to do this! We can kill them later!
# TRAVIS
Agreed.
# MATT
"Agreed."
# SAM
Ah! You're still here?! Shit!
# MATT
"Well, I hadn't left yet. I was curious to see your--"
# SAM
Did you know? Where are you?
# MATT
You don't see, the voice is coming from nowhere.
# SAM
Is Jamedi here?
# MATT
Make a perception check.
# SAM
18.
# MATT
Looking around, you do not see Jamedi immediately in the vicinity.
# MARISHA
Is he on speakerphone?
# MATT
No, this is Avantika.
# SAM
Avantika! Did you know he was dead?
# TALIESIN
Specifically he was not telling you, because I knew you were going to panic.
# SAM
Did you know he was a dead guy?
# MATT
"I was not aware, but now I am very curious as to where you found this information and what "you think this means."
# TALIESIN
I just know things. I don't know what it means. I was trying to find a moment to figure out if you knew, or if we should tell you, or if this was part of some sort of plan. I hadn't figured it out, and for some reason, I had not realized that I was walking around with a bunch of gossips.
Well, it's what I get, I suppose, for trying to be sneaky about things.
# TRAVIS
Nice job. He's going to fucking leave again. Good job.
# MARISHA
Whose side are you on?
# TALIESIN
I've been doing my best not to be thrown by it. It seems like he's been standing up all right.
# MATT
"He's done work for me before, and was successful."
# LAURA
He's pretty cool.
# SAM
Has he always been dead? Is this a recent thing? Where are you?
# MATT
"Don't worry about it. But nevertheless, he has done his job so far. I assume we just keep a "close eye. If ever he decides to give any sign of turning on any of us, well, it's eight against one."
# TRAVIS
Indeed. I'll take out several feet of rope from the bag of holding and say: We should do this before he achieves the destination. Forward.
# MATT
"See you on the other side." And you watch as the dust-- (puffing) the footprints.
# TALIESIN
This is why I was trying to keep it on the down-low.
# SAM
Why?
# TALIESIN
I knew that certain members of the party may get a little excited. I, myself, had a moment of panic. Had a moment of panic myself. I've been keeping it contained.
# LAURA
You feel okay now?
# TALIESIN
No, there's a dead guy walking around with us. That's unsettling. That's unsettling to my very core, I've got to admit, but you know.
# LAURA
Well, now we just have to go walk around snake people and not be seen, so that's fine.
# TALIESIN
It's an improvement, at the very least.
# MARISHA
Hey, Fjord. Avantika can go invisible or peek into what we're saying. Can you do that?
# TRAVIS
No. Well, kind of. Not really. No.
# MARISHA
How much have you heard?
# TRAVIS
I mean, I can pop in and out, but--
# LIAM
We've seen you flit about.
# TRAVIS
Yeah, that one.
# LAURA
But you can't hear what's on the other side when you're popping in and out, can you? Oh, yes you can! That's right, you can.
# TALIESIN
How many fingers am I holding up?
# TRAVIS
None.
# TALIESIN
Oh. I forgot to-- I'm really distracted right now. I don't know why I bother.
# LAURA
We should probably get pretty snaking on here.
# TRAVIS
We'll put two in the front, two in the back, and put these three in the--
# LAURA
In the middle.
# MATT
Your Pass Without a Trace has probably faded at this point, with the travel you've made so you have to recast it to get the spell bonus.
# LAURA
You guys, we should probably do it again?
# TALIESIN
Mm-hmm.
# LIAM
Yeah.
# LAURA
(singing) Pass pass pass pa-pass. I give Yasha the Blessing of the Trickster.
# TRAVIS
Good call.
# MATT
Everyone make a stealth check, please.
# MARISHA
Hang on, hang on, real quick: (clearing throat) Real talk, for just a second. If Yasha comes with us, and we puppet her, and she dies, Ashley's going to be real mad. Just pointing this out last time, because we did this with Pike. Not saying one way or the other! Just saying, we're going to continue on with Yasha? Okay. Done. Done.
That's all I'm going to say.
# SAM
She's going to be in a defensive stance for most of the fight.
# TRAVIS
She'll be fine. I'll pilot her.
# LAURA
I would say let's text her, but she's in another country, so she probably wouldn't get it.
# MATT
Stealth checks, guys.
# TRAVIS
21.
# MARISHA
Fuck!
# TRAVIS
Pass Without a Trace.
# MARISHA
20.
# LIAM
25.
# SAM
Oh, I get advantage. 30. No! 38.
# LIAM
Rogues, man, rogues!
# TRAVIS
What? Natural one?
# TALIESIN
26.
# SAM
She's a lizard person; she'll be fine.
# MATT
And for Yasha, if you want to roll twice?
# TRAVIS
25. Natural 15.
# LAURA
At least I look like a snake person.
# SAM
You're going to be a loud snake person.
That's fine.
# MATT
You all begin to make your way towards the first set of buildings. There's that one individual that's flaying the bodies of the lizardmen. Has made their way through two of them.
There are two more that are in the process of being stripped. There is one street that breaks through two of the ones closest to you. Do you wish to take that path? What do you wish to do to stealth in? Because part of the pathway here is out in the open, so you'd have to gauge your timing.
# TRAVIS
Describe the two again?
# MATT
Where you are now, towards the main stairway that leads at the top, you have about two streets or three sets of buildings to get through. The ones closest to you, there are two large buildings that are immediately towards your side. One side has nobody around it. The other one has one individual that is currently flaying the hanging corpses of the four lizardmen.
# TRAVIS
I vote for the one guy flaying the lizardmen.
# MARISHA
Agreed.
# LAURA
Because he's distracted?
# TRAVIS
Mm-hmm. And it's one guy.
# LAURA
The other one has no guys.
# TRAVIS
That never is no guys.
# LAURA
Okay. I follow your lead, captain.
# TRAVIS
Let's go that way. We'll go towards the flaying.
# MATT
Okay. You make your way, exiting the jungle way, and are you going quickly and quietly so nobody notices or are you strolling through, using your stealth as a means of trying to keep any sort of--
# TRAVIS
Trying to blend in.
# MATT
Got you. Okay. All of you move forward. Are you dragging them behind by ropes?
# MARISHA
No, we're in the middle. We're Assassin's Creeding it.
# MATT
Got you.
# TRAVIS
If there is a building to walk beside, I would prefer to have our shittily drawn and one very nice one closest to the building with us on the outside.
# MARISHA
Uh-huh. Yeah, I'll be the barrier.
# TRAVIS
Mama elephants and then baby elephants.
# MARISHA
Aww, yeah!
# MATT
You guys cluster and begin to shift as this herd of snakefolk making your way towards that direction.
# TRAVIS
Oh god, oh god, oh god.
# MATT
As the light hits you as you leave the branches of the jungle and begin shifting, fully open now in the middle of the midday sun, immediately you feel the heat on the back of your neck and shoulders begin to grow hotter and hotter as the nerves build up inside. You cruise through the open area, and to the left you hear a (whip cracking). You glance over and you can see another one of those massive, mostly-snake, serpentine hulking individuals is currently wielding a whip.
There is a cluster of lizardmen that are currently chained and are currently pushing on a heavy bar that is dragging a large piece of stone out of the jungle and towards the center of the city. They're bent into slave labor for these people. They are now pushing it forward. That catches you off guard for a minute, but you continue to focus and move forward. As you get closer, you can hear the slick sound of the flesh being pulled from the back of the lizardman's body-- (wet ripping)
# TRAVIS
Aww, yeah!
# MATT
Onto the side-- (coughing) Had me a little bit of spittle on that one. (coughing) Pardon me.
Moving around the side, the figure finishes and throws it, and glances over and looks at your group. Starts looking somewhat curiously as you pass.
# SAM, LAURA
(hissing)
# MATT
Make a deception check, Jester.
# LAURA, TRAVIS
Why?
# LAURA
Because I rolled a shitty stealth, that's why. Oh no.
# MATT
Yasha's going to make a deception check as well.
# LAURA
(gasp) Natural 20!
# MATT
All right. Yasha rolled pretty high on that, actually. The figure goes back to its work and begins carving it. You move past that into the first street walkway. It moves on for about fifteen or so feet and then it has a crosspath. It goes to the right and the left, and ahead it goes to another set of buildings behind, and there is an alley that turns to the right and it seems to end at that point. So you have a T intersection before you, and then it ends and curves to the right. Where do you go?
# LIAM
So an intersection to go through to get to the right turn past it?
# MARISHA
I see. So it's like a cross-T intersection?
# MATT
Right. You keep moving and then there's a right and left, or you keep moving and then it turns to the right.
# TRAVIS
Are there any windows, doors, anything on these buildings?
# MATT
You see open squares. There's no glass panes, but there are carved rectangles removed.
# TRAVIS
Can we move up to the side of one and glance in as we slow down just a little bit to peek through?
# MARISHA
On this T intersection?
# TRAVIS
No, before we get to the intersection.
# LAURA
Just to be clear: I always thought that a T intersection was an intersection like this.
# MATT, TRAVIS, MARISHA
Four-way stop.
# MATT
That's my fault. It's a lower-case t! Lower-case t.
# LAURA
No, no, no, I get it. I just wanted to make sure.
# MATT
Sorry, I meant a cross intersection.
# LIAM
Don't you listen to her.
# MATT
No, it's fine. It's an important clarification. That's my brain fart, man. I appreciate the backup. But yeah, you're right on that.
# LAURA
Okay.
# MARISHA
Okay, guru Liam. Yeah. Liam from Ojai.
# MATT
Namaste.
# LIAM
I'm going to go listen to your tapes, your level seven tapes.
# TALIESIN
A most expeditious movement towards the temple, I suppose, would be the--
# TRAVIS
Do we look in the window?
# MATT
As he's saying this, you glance to the window to your left, and as you look in, make a perception check.
# LAURA
Ooh!
# TRAVIS
Ugh, seven.
# MATT
You glance inside, and it's a simple interior. There's a little bit of sunlight coming through from the opposite side of it from the direction of the light in the sky. It frames ambiently the outside of a figure that appears to be humanoid that is sitting over a table, and you can hear some grinding or carving sound, but its faced away from you. Looks to be some sort of workshop.
# TRAVIS
Keep going?
# SAM
Yeah.
# TRAVIS
All right, we'll push through.
# MATT
You push towards the first intersection.
# MARISHA
Can I see the tower-- the temple at all, above the buildings?
# MATT
Yeah, you can see the top of the temple from here.
# MARISHA
Okay, does this curve look like we're still heading the right way?
# MATT
It'll start making towards the nearest stairway that leads towards the top.
# LIAM
It's just the bottom of the structure that curves around.
# MATT
As you approach the T-intersection, you hear this murmuring of conversation coming from the left-hand side of it. (whispering)
# LIAM
I cast Comprehend Languages.
# MATT
You do, and you pick it up. It is Abyssal.
# LIAM
Abyssal?
# LAURA
Oh! No, Yasha can't--
# SAM
Yasha can speak that, no?
# MATT
I don't know, if you had her character sheet, you would have the benefits of knowing that. But, not my responsibility. So you pick you on it and the muttering is akin to, "Come, we have "to pick up the hunts. The food stores are running dry this season." As that comes to you, you glance up to the side and you guys watch as two figures round the corner. They're both mostly human in body, though their bodies are scaled and a dull green-gray color. Their heads, fully serpentine, snake jaws-- the hood's not open, but retracted-- and they both have, strapped across their shoulders and torsos, longbows that are at rest, and they have quivers filled with arrows. They walk past and glance over at the rest of your crew. Make a deception check, Jester.
# SAM, LAURA
(hissing)
# LAURA
Big money. Okay, okay. 22.
# MATT
Yasha as well. The disguise didn't quite go well, and Yasha and Caleb-- even in the clustered section-- catches some attention. The first one keeps walking. The second one glances over and looks to the rest of you and, "Hey!" You hear in Abyssal, "Hey, what've you got?" You guys hear (Abyssal).
# TRAVIS
As that one turns, I'll turn to Yasha and I'll go (hisses) and punch her in the face and say, "Go down!"
# MATT
She goes (grunting). She's not used to rolling with the punch.
# LIAM
You're going to take a dive.
# MATT
She goes down and the figure looks up, its eyes narrowing and the tongue (slurping).
# TRAVIS
Stand over Yasha, take the rope, and start tying her hands together.
# MATT
"Wait," to the other one, who stops, looks back and goes-- begins to walk towards you, keeping a hand on the bow.
# LAURA
I cast Hold Person.
# TRAVIS
Oh no!
# LAURA
Sorry, I already said it. At 3rd-level.
# MATT
On both of them?
# LAURA
Yes.
# MATT
That's a failure; that's a 12. Oh, that's cocked. And a natural four. They both fail. They both freeze in place.
# LAURA
We should tie them up and then go.
# TRAVIS
We're in the middle of the street. We can't tie them up. We've got to go.
# LAURA
We're in the middle of the street?
# MATT
You're in the middle of the street.
# LAURA
Let's go. Let's walk quickly.
# MARISHA
Run.
# TRAVIS
Yeah, we're picking up and moving expeditiously away.
# LAURA
I really should've charmed them instead of held them, but let's go.
# TRAVIS
Yeah, or distraction.
# SAM
Want to do a distraction now?
# TRAVIS
Not now. We've got to go.
# LIAM
Distraction is them.
# MATT
They are currently paralyzed in the middle of the street for the next minute. Once they're released, they're going to do whatever they do.
# TRAVIS
Do we seen anyone else around besides those two?
# MATT
Right now? Make a perception check.
# TRAVIS
Oh, 20.
# MATT
Glancing about at this moment, the only other figure you can see near this intersection is one of the patrolling, hunched creatures you saw up on the temple itself on the second tier, and it's currently walking away from you and doesn't seem to be paying attention.
# LAURA
Grab them.
# LIAM
Yeah, actually, we should chase them and kill them because they could actually snap out of it at any second.
# SAM
We should kill them?
# TRAVIS, LIAM
Kill them.
# LAURA
Grab them; slit their throats.
# TRAVIS
They're large beings, right?
# SAM, LAURA, MARISHA
Pull them off the street.
# SAM
Okay, Yasha.
# MATT
Hold on. While you guys are deciding on this, every turn they get to make a save.
# LIAM
Yeah, that's right.
# MATT
Natural two and 11 plus two, 13. Yeah, they're still held.
# TRAVIS, LAURA, MARISHA
Pull them off the street.
# SAM
You and Yasha should pull them off the street.
# MATT
You guys lift their arms and pull them off.
# MARISHA
Weekend at Bernie's.
# SAM
Are there any doors around here?
# MATT
The building to the left of you was the one that you saw the craftsman in. The one to the right, you can see there is an open doorway.
# LAURA
Is there anybody in there?
# SAM
Let's just go in?
# MATT
All right, you drag them over.
# TALIESIN
I'm going to walk forwards first to peek in because I look like a snake.
# MATT
Okay, make a perception check.
# TALIESIN
All right. That's terrible, 11.
# MATT
You glance inside. You can see what looks to be a pile of rags on a small table in the corner, but nobody else appears to be in there.
# LAURA
Inside.
# TRAVIS
Yep.
# MATT
All right. You guys pull them inside.
# LAURA
Wrap them up.
# MATT
Another 11 plus two, 13, failure. An eight plus two; they're still--
# LAURA
Okay, tie them up as much as we can and then gag their mouths. Toss them in a corner.
# TRAVIS
We're working the rope.
# MARISHA
Should we kill them?
# LIAM
Ja. They would kill us; we watched them skinning the inhabitants of this--
# MATT
That's a five.
# SAM
Will they wake up if we hurt them now?
# MATT
15.
# TRAVIS
Fuck it. I summon the sword, I run over, and I shove it into his chest.
# MATT
What's your DC?
# LAURA
15.
# MATT
One of them succeeds.
# LAURA
We're already tying him.
# MATT
You're in the process of it.
# MARISHA
He kills one guy. I snap the other guy's neck.
# MATT
The guys that's paralyzed, going ahead and attack.
# TRAVIS
I plunged the sword into his chest.
# MATT
Attack twice, each time with advantage.
# TRAVIS
Okay, with advantage.
# MATT
Both hits are crits because he is paralyzed.
# TRAVIS
Amazing. That is a 16?
# MATT
16 hits.
# TRAVIS
Are they automatic crits?
# LAURA
Yeah.
# TRAVIS
Oh, the damage is a crit. The second one is a 23. Yeah, 23 is the highest one.
# MATT
Yep, both hit, both crit.
# TRAVIS
Both hit, both crit, okay.
# MARISHA
You said one saved?
# MATT
One saved.
# LAURA
But we were putting things into their mouths.
# MATT
You were tying them up and (gasping) begins to-- but we'll get to that in just a minute.
# TRAVIS
29.
# MATT
You carve through him. These are more ranged hunters; they're not as hardy as some of the other ones out there, and this one, you manage to in just two quick swings, carve through the chest and take down most of the throat-- just tears open. It crumples to the ground, dead. The other, who is currently being bound, (snarling), begins to start making noise and getting ready to--
# LIAM
Are we in a stone room?
# MATT
You're inside a stone room.
# LIAM
Is there wood?
# MATT
There's not much in the way of wood. It's mostly stone in here.
# LIAM
Fire Bolt.
# TRAVIS, LAURA
No!
# MATT
Fire Bolt or Fireball?
# LIAM
Bolt.
# MATT
Okay.
# LAURA
Wouldn't that still make noise?
# MATT
It'll make a little bit.
# MARISHA
Great, so let's just fucking kill really stealthily really fast!
# MATT
Go ahead and roll an attack, everyone who's doing this.
# SAM
I'm shooting with a crossbow.
# MATT
Okay, it is definitely flanked, so you get a sneak attack, but you don't have advantage on it because it is not fully bound.
# SAM
22 to hit?
# MATT
That hits.
# MARISHA
24.
# MATT
Hits.
# LIAM
17.
# MATT
Hits.
# MARISHA
Six damage; I'm going to stun him.
# MATT
Natural nine, fails.
# SAM
17 damage.
# MATT
What's the Fire Bolt do?
# LIAM
It's 2d10, which is 19.
# MATT
Okay. You watch as he (grunting) freezes up from the stun and then (gasping) takes a bolt to the throat. The eyes begin to roll back as a Fire Bolt blasts in its chest, and you watch as it burns the edges of its face up in cinders. It goes quiet before limping to the ground, the smoke coming up from its smoldering corpse.
# TRAVIS
Out.
# LAURA
Cover him up!
# MATT
At this point, the rags in the corner begin to shift as you watch what appears to be an individual sleeping in the corner begins to come to and it (raspy breathing)--
# MARISHA
God, go.
# MATT
Look up, and you can see what looks to be a more humanoid-- one of the most humanoid of the ones ones you've seen there, but with the scales-- what you managed to make yourself look like-- begins to come to consciousness and goes (snarling).
# LAURA
Oh, shit.
# MARISHA
Does he see us?
# MATT
Yeah, you woke him the middle of his sleep.
# LAURA
Charm Person!
# SAM
Jesus.
# MATT
That is 15. it succeeds.
# MARISHA
You're supposed to be better at this.
# LAURA
Somebody do fucking something, because he shook it off.
# MATT
(snarling)
# MARISHA
Throat punch!
# MATT
Go for it. The words you hear are, "Who are you? Help!" as the shout is beginning to come out, but you go ahead and--
# MARISHA
Uh-huh, 15.
# MATT
Yeah, 15, that hits.
# MARISHA
Stun.
# MATT
That's a failure, yeah.
# MARISHA
Uh-huh, he's stunned.
# MATT
Stuns in the bed.
# TALIESIN
(sigh) Sacred Flame.
# MATT
All right. This individual doesn't have a lot of hit points, so let's say for the sake of brevity here, being stunned, you guys quickly--.
Yep. However, it did have the opportunity to shout out one phrase. We'll see if the guard heard it.
# SAM
Oh boy.
# TRAVIS
You know what'd be great right now? A distraction. Maybe fire?
# MATT
It's a natural 15.
# SAM
Set fire to the house?
# LIAM
It's all stone.
# TRAVIS
It is all stone? There's no wood? There's no nothing?
# MATT
Inside this chamber, it's all stone.
There're stone tablets that have been carved and then placed up against each other. There's occasional scenes you can see through, and the ceiling above appears to be slats of stone that have been placed in a lattice formation.
# MARISHA
I pull out all of the cherry bombs that I have and I go-- fucking fireworks!
# LAURA
But wait, maybe nobody heard.
# TRAVIS
Let's just get out.
# SAM
Is there any hole in the ceiling or anything? Is there a roof?
# TRAVIS
Ceiling stone too?
# MATT
The ceiling, looking up-- there is no second floor or anything, and it looks like it's just a continuation of stone. It looks like a series of thin slats have been placed one next to the other in a layering to create a ceiling.
# TALIESIN
Back door?
# MATT
No, this entrance is the only way in and out. There's a window--
# TRAVIS
Out.
# TALIESIN
I'm going to quickly grab two arrows from one of the dead lizards and stick them in his chest, and I'm going to walk out. I want to go-- yeah.
# SAM
It was a suicide.
# LAURA
Maybe they all fought each other.
# MATT
You guys turn the corner, and as you exit, you can see that large, looming, slithering snake figure with the huge scimitar that's probably 15 foot from tip of tail to nose. Thick, burly body, slithering its way towards you.
# SAM
Like, can see us?
# MARISHA
Yeah, what do you mean towards us?
# MATT
Meaning whatever noise, this figure managed-- I rolled high on its perception-- to pick up the sound of its call, and it's making its way in your direction.
# TRAVIS
Okay. I will point down the street away from us and go (hissing) and cast Major Image, and I will summon the image of a manticore, a large manticore roaring and thrashing in the streets.
# LAURA
Oh, that's tight.
# MATT
All right, full sound and everything? Because Major Image you can do the full spread--
# TRAVIS
The whole shebang-- make sound, it smells, the whole thing.
# MATT
So now, suddenly, in the middle of this room, all of you turn and look and see as a full-grown manticore, akin to the one that you battled not that long ago beneath the mines near Alfield, you see wings unfurl (roaring). All of a sudden, all eyes in the city shift to this creature. In a matter of moments, you can see arrows being loosed in its direction, hitting the ground near it. The snake that was approaching you spins around, begins to draw its scimitar (snarl) and it begins to approach.
# TRAVIS
(shouting) Go!
# SAM
On us, or on the--?
# TRAVIS, MATT
Manticore.
# SAM
Great, let's run.
# LAURA
We run away.
# MATT
You put that behind where the serpent was?
# TRAVIS
Yes, so he has to turn and move away from us.
# MATT
Okay. You guys arc in the completely opposite direction heading towards where the base of this temple is. There is another one of those that is currently at the bottom of the stairway that is making its way in your direction.
# LAURA
I point at the manticore.
# MATT
You point at the manticore?
# TRAVIS
I can't. I point at the manticore. No, you did it.
# MATT
She's the one who did it.
# LAURA
Hey man, I look like a snake person!
# MATT
Make a deception check.
# SAM
This is going to be great.
# MATT
The DC's low on these because you're disguised.
# TALIESIN
Hey!
# LAURA
Nine.
# MARISHA
Oh shit.
# SAM
Just had to beat a ten.
# MATT
You had to beat a ten. You push, and it turns around and sees the manticore and looks at you curiously. It has to take a moment to decide which is more dangerous, the manticore or this curious serpent. Goes ahead and grabs you by the chest and begins dragging you with it.
# TALIESIN
It makes a grab for her?
# MATT
Yeah. It can't choose, so it just grabs you.
# TALIESIN
Blindness. I'm going to blind him before he grabs her.
# MATT
Okay. Well first, it has to try and grapple you, so go ahead if you want to fight it.
# LAURA
Okay, yeah, I'll try to back away.
# MATT
All right, so acrobatics check. Natural two, so make an acrobatics or athletics check to try and break it.
# LAURA
Cool. One.
# MATT
Yeah, it grabs you. However, what's the DC on the spell?
# TALIESIN
Constitution 16.
# MATT
Natural two again! It was like 20-- two. All of a sudden, it loses sight and you see its eyes starting to blink out where once the piercing yellow snake eyes fade to a snowblind white (snarling and hissing). Pulls its blade out and looks around, looking freaked out at the process.
You have to break that grapple; it's still holding you.
# LAURA
Oh, I--
# MATT
Make another athletics or acrobatics check.
What're you making?
# SAM
Jesus. Oh, nope. Do another.
# LAURA
That was a very aggressive roll. Athletics or acrobatics?
# MATT
Yep, your choice.
# LAURA
Acrobatics.
# MATT
All right.
# TALIESIN
Ah, god!
# LAURA
My dear lord! Fucking seven, but he still rolled a natural two, right, no?
# MATT
Well, no, that was the last time. He rolled a natural eight, so he's still holding onto you.
He's blind, but he's holding on to you. The scimitar's out and he's swinging it wildly at whatever's in the area now that it can't see and is (gnashing).
# TRAVIS
Can I take the sword and take a shot right at his wrist that's holding her? With the hand that's holding onto Jester?
# MATT
Sure. It's going to be at a major penalty.
# TRAVIS
Okay.
# MATT
So go ahead and roll.
# TRAVIS
17.
# MATT
17? Okay. Go ahead and roll damage.
# TRAVIS
Okay.
# SAM
Oh boy, this is going terribly.
# TRAVIS
It's going great, we're doing good. Oh, that's good! That's a 14.
# MATT
Okay. I'll say that'll give you advantage on your next check.
# LAURA
Okay.
# MATT
It doesn't break the hold.
# SAM
I will step forward and say to the beast: How does the Lucidian Ocean say goodbye? It just waves. And I'll cast Tasha's Hideous Laughter on it.
# MATT
Okay. Natural four.
(cheering)
Falls to the ground and begins chuckling, though in the middle of this chaos it is now blinded and laughing. It releases you.
# LAURA
Okay, good.
# MATT
The manticore is still roaring. Creatures are now flooding out of the city to combat this and you can see some of them are swinging and are beginning to notice something strange...
# LAURA
Ooh, run away!
# MARISHA
Run, run, run!
# MATT
All right, so you guys are charging towards the temple. You bypass that one. Now you're heading up the stairs. Up across the way, there's one of those crotchety snake people that you saw patrolling the upper area who has its longbow out and is currently firing one after another arrow toward the manticore. It's moved off to the side.
It doesn't seem to immediately notice your presence as you approach. If you guys are trying to stealth by without getting its attention, I need you all to make another stealth check now that you've engaged in combat.
# LAURA
Add ten!
# SAM
You'll need it.
# MATT
Well, hold on. Pass Without a Trace, is it concentration?
# LAURA
Yes.
# MATT
Because you cast Hold Person since then.
# LAURA
Oh, Hold Person is a-- you're right.
# SAM
Spell management!
# LAURA
Sorry, I didn't realize Hold Person was a concentration.
# MATT
It's okay. It is. So straight stealth checks, guys.
# TRAVIS
Yep. 13.
# MARISHA
22.
# LIAM
Seven.
# SAM
Roll for Yasha. 20!
# LAURA
12.
# TALIESIN
17.
# TRAVIS
I have Yasha's character sheet and she rolled a ten.
# MATT
Okay. Hold on.
# TALIESIN
I mean.
# MARISHA
It was super down the middle.
# LIAM
Every week we're like, this is the episode where we start thinking. This is the one.
# MATT
There we go.
# TALIESIN
(singing and whistling) Something's out there.
# MATT
Natural 20 on his end.
# ALL
Aww!
# MARISHA
What do you mean?
# MATT
I rolled a natural 20 on my d20.
# MARISHA
No, I know what you mean.
# MATT
(arrows whizzing) (gnashing)
# TRAVIS
How far is this person?
# MATT
About 15 feet above you, above the stairs, just in the middle of the open. Glancing off to the side, the manticore still drawing most of the attention, but people are starting to figure out the weirdness about it.
# TRAVIS
Can I use my bonus action to Misty Step up behind them and I will kick them down the stairs towards the rest of us?
# SAM
Ooh.
# MARISHA, TALIESIN
Yes!
# MATT
Yes, you can.
# MARISHA
Oh my god, yes!
# MATT
In a whisp of dark shadow energy you see Fjord just vanishes from sight and teleports right behind. Go ahead and make an athletics check.
# TRAVIS
Oh god, those used to be really great for me. 17!
# MATT
Natural four. You Sparta this fucker right off the side of the temple. You watch him tumbling down the entire length of the side of this temple before landing on the ground and skidding and looking unconscious and bleeding out of the side of his mouth at the base of the temple.
# LIAM
Fire Bolt.
# MATT
Okay.
# SAM
On the dead guy?
# LIAM
Yeah. Is he dead or is he unconscious?
# MATT
He's unconscious.
# LIAM
Oh, yeah. That's a 22.
# MATT
Technically, he's prone because he's on the ground, so it would be at disadvantage. Roll one more time.
# LIAM
It's a 23.
# MATT
That hits, roll damage. So with the damage he took from the fall there. Oh, yeah.
# TRAVIS
Oh, that's not me, jesus. I was looking at Yasha's and it was like, "When did I get Necrotic Shroud?"
# LIAM
It's five.
# SAM
(exaggerated Arnold Schwarzenegger accent) Five points of damage.
# LIAM
That's the sound it makes. Phoomph.
# MATT
So he's burning and not moving. You assume.
# LAURA
He's even more unconscious now.
# TRAVIS
Let's get the fuck out of here.
# LAURA
Keep going.
# SAM
Is there an entrance to this tower?
# MATT
Oh, you're going stairs up the side. It levels off towards the top of it, but you don't know what's at the top there.
# MARISHA
Is there anyone following us?
# MATT
Make a perception check.
# SAM
Many people.
# TALIESIN
Everybody.
# MARISHA
Okay. 15.
# MATT
Glancing around, I mean, the manticore's causing a huge ruckus in the middle of the city and those that have begun to realize that it's an illusion are looking around confusedly and at the moment do not see you, but that time is going to be very short because you're out in the middle of the sunlight. The trees aren't above you now. This is an open clearing in the middle of the jungle and you're just running up the side of these temple stairs with the light down upon you from the sky.
# LIAM
How tall is this person who's just died?
# MATT
Maybe-- from foot to shoulder?
# LIAM
Yeah.
# MATT
About four foot.
# LIAM
He's only four feet?
# MATT
Yeah. It's like a tiny, hunched--
# LIAM
Okay, I take out some iron and I go (whooshing) and he shrinks to an eighth of that and I pick him up.
# MATT
Wait, the one you just shot?
# LIAM
Yeah, I don't want to leave him here.
# MATT
He's at the bottom of the temple.
# LIAM
Oh, he went down there? I thought he was at our feet.
# MATT
No, you guys have been climbing the temple and he kicked him down off the side of it. It's all good.
# LIAM
I would only do it if he was right where we were.
# MATT
Right. No worries.
# LAURA
Let's just keep running.
# TRAVIS
Yeah. In! Out of light. Out of the way.
# MATT
Okay. So as that idea flashes through your mind, that would be cool, but it's not going to work, so you keep rushing and we come back to the moment as you guys dart up the side of the temple.
Everyone make one more stealth check now that you've had that brief encounter and teleported behind to make sure that nobody catches you before you reach the top portion.
# MARISHA
Stealth you said?
# MATT
Stealth, yes.
# MARISHA
Oh god.
# TRAVIS
12 for me. Natural 18 for Yasha.
# MARISHA
12.
# LIAM
11.
# SAM
20.
# LAURA
19.
# TALIESIN
17.
# MATT
That's still a pretty high average and it's more of an average thing. So a couple of stumbles coming up the stairs from some of you, but largely you make it, cresting to the top of the platform.
You get there for a second, take a few breaths and realize glancing over to the side that people are still emerging, looking over the side and you can see dozens of these snake people are emerging from the buildings and heading towards the sound of this raging manticore. There are those that are now scattering from the manticore, trying to engage them to tell them it's not what they think it is. There are eyes glancing around and you can see the sentinels are starting to-- But you guys are keeping low and out of sight. No one at the moment seems to notice where you are and the few that have noticed you you've either taken out or have lost sight of where you were traveling. So for the moment, you feel safe. At the top of the temple, you can see some sort of a worship terrace. There's torch-bearing statues of snakes sitting near the corners of each of these five sides of the temple, similar in shape to the one that you found, the idol. In fact, at the top of each of these torches, there's a similar golden idol, but while the one you have is smooth, each of these has a carved divot on the inside where the torch itself is actually burned in. Or where materials are placed in to burn as a torch when the night comes or for any ceremonial use it requires.
# TRAVIS
The top is open air?
# MATT
Right now, it's just an open platform. You do see in the center of it a heavy stone tablet about 12-foot by six-foot the rests directly in the center. You can see metal rings that are bolted in with metal rivets that hold it on the sides of the tablet. The stone itself appears to be stained with a variety of various shades of stain.
# SAM
Like blood?
# TALIESIN
Oak, mahogany, rosewood.
# TALIESIN, MATT
So much stain.
# LAURA
Where are we supposed to go?
# TRAVIS
Yeah, we head towards the tablet.
# MARISHA
So wait, you said that there are tablets with rings on the corners of the tablet and splatter--
# MATT
There was one stone table about 12-foot by six-foot and on the sides of it there are rings that are bolted in and there are stains across the surface.
# TRAVIS
Of the crimson variety?
# MATT
Yep.
# MARISHA
Yeah, super sacrifice-y.
# LIAM
Obviously for killing. With all the reading I have done, can I ascertain or have a good guess of what this is used for besides?
# MATT
Yeah, you have a good idea.
# LIAM
Yeah, I know it's for killing people, but does it do something? To do something. Summon things, make a god happy...
# TALIESIN
Does it look like a trap door to me?
# LIAM
I have read many books.
# MATT
Well, make an arcana check and make a religion check.
# TALIESIN
All right.
# LIAM
I got a one.
# MATT
Okay. You're not entirely certain.
# TALIESIN
I got a 12.
# LIAM
Not my neighborhood.
# MATT
You get the sense that this is for sacrifices, but you're not entirely certain to what ends and to what purpose, whether it's just ceremonial or for a specific purpose.
# TALIESIN
Okay. And it doesn't look like it moves?
# SAM
We're still out in the open?
# MATT
You're out in the open on the top of this temple, but you do see, as you're inspecting the table and looking around, there is a trap door made of the same color stone that has a handle built on it that you can pull back.
# SAM
Should I check for traps?
# LIAM
Yeah. Is it safe?
# SAM
For sure. I'll check for traps. 18.
Investigation.
# MATT
All right. It looks to not be trapped.
Though it is locked.
# SAM
All right, I'll unlock it. That's 28!
# MATT
28. Getting down to this device, you can see it's an intricate, thick, long key, what would have probably been that long and have a whole series of intricately designed cliffs to it to hit all of the various--
# SAM
Tumblers?
# MATT
Tumblers, thank you. To get this to open.
However, you manage to get multiple angles and press and hold, and press and hold with all of your tools. It takes everything in your bag to get through it, but you manage to just hit each one properly and lift, and it pulls open with a grinding sound.
# LAURA
Shut up, Nott! That was very good.
# SAM
That was not supposed to work!
# LAURA
That was really good.
# SAM
That was luck. That was dumb luck.
# TALIESIN
Let's get in. We're all going to get in.
Come on.
# MATT
You do hear a smattering of hissing and growling sounds that are getting louder and louder.
# LAURA
Get inside of it. (mumbling) Can you re-lock the door or something?
# SAM
Probably not, but I can try.
# LAURA
Okay, we'll just shut it and hope they don't notice that we came up here. Let's go.
# MATT
Okay. You all dart inside. At this point, as you are stepping inside, you see on the opposite end, rushing up the edge, you see Jamedi go, "(huffing) Very good," and he jumps inside with the rest of you.
# MARISHA
Where's Avantika?
# MATT
"I have not seen her."
# MARISHA
Bullshit.
# MATT
"I haven't!"
# MARISHA
Are you lying?
# MATT
Make an insight check.
# TALIESIN
I'll join this one, as well.
# MARISHA
God fucking bull fucking shit.
# TALIESIN
25.
# MARISHA
Nine.
# MATT
Hard to read.
# TRAVIS
Doesn't matter.
# LAURA
"Hard to read." Whispers!
# SAM
Hey, how great was New York Comic Con?
# TRAVIS
Boy, sure was fun, Sam.
# SAM
We met a lot of great Critters--
# TRAVIS
We did!
# SAM
And thanks for everyone for coming out to the live show, and we'll be back again next year? I don't know.
# TALIESIN
So I keel over mysteriously dead. Just kidding! Sorry. No, all right, cool.
# MATT
All right. He darts inside, the rest of you guys are inside. You close it?
# LAURA
Yes!
# TRAVIS
Yes, we close it, yeah.
# TALIESIN
I'm closing, slowly.
# MATT
All right. As you are just closing it gently, you can see shapes coming up over one, and now a second, side of the temple. There are a few charging up. All right. It locks from the inside.
The latch locks behind itself.
# SAM
I locked it!
# TRAVIS
We may not have much time. Darkvision, what do we see?
# MARISHA
Goggles.
# MATT
You're now standing in a small, five-foot by eight-foot chamber. You are all cramped in there, but there is a spiral staircase that leads down.
# TRAVIS
Time to go.
# SAM
One at a time.
# TRAVIS
You first.
# SAM
Why me?
# TRAVIS
Check. For. Traps.
# LAURA
Whoever I'm standing next to, I grab their butt.
# TALIESIN
Who's rubbing my elbow? It's weird.
# SAM
I'll take a big swig of liquor and start going down, scanning for traps.
# MATT
Okay. Make an investigation check.
# LAURA
Avantika! Avantika, are you here?
# SAM
Oh, that's shit. I only rolled an 11.
# MATT
All right. There is a faint noise you hear that goes, "Do not worry. I was waiting for you up "top this entire time."
# LIAM
I'm casting Mage Armor.
# MATT
All right. Mage Armor is on. What'd you roll?
# SAM
11 for investigation.
# MATT
Seems safe.
# SAM
Coast is clear! Let's go! (running)
# MATT
Okay. Nott's charging down the stairs, the rest of you follow suit. The chamber beneath has some sort of faint, fiery light source, and it opens up below you. As you begin to move downward, you can see a pentagram-like chamber. Not a perfect pentagram, but there are five sides to it; one that's shorter than the rest that gives this diamond-shape to the interior of the chamber.
There are two walls on the sides, and there are bits of green growth in the corners. In the center, there's a raised platform with some sort of fountain that rests in the middle, and there are four figures standing around this fountain.
Which is precisely what you notice as Nott, your foot hits one of these steps that (clicks) gives out from underneath and the stairs suddenly shift into a sliding platform.
# SAM
Weee!
# LIAM
How steep?
# MATT
It's about a 45-degree angle.
# LIAM
So how fast does the fall feel?
# MATT
It's only about ten feet, 15 feet down, and what would have stopped you to catch a moment, you all of a sudden (slipping).
# LIAM
So it's not that far down?
# MATT
It's not going to be a hard fall, but any sense of stealth you would've had, or any sort of surprise, is gone, as all of you manage to barely glide your way to the bottom or stumble on your ass, sliding to the bottom of this chamber. There in the darkened, lit interior chamber, three of these figures standing around this fountain, holding bowls, glance over their shoulders towards you and hiss with sharpened snake teeth.
# LAURA
Oh, good, this is the bowl drinking party! We were looking for it, oof.
# MATT
Behind the fountain, you see one jet black-gray humanoid body. It's a little larger than the others with a giant, extended snake head.
The cobra hood, long and wide on each side. Its eyes glowing red from the back.
# LIAM
I begin casting Slow.
# MATT
And we'll get to that next week.
(shrieks of disappointment)
# MARISHA
Oh my god!
# TRAVIS
Oh, shit! The big black cobra hood, arms or just the serpentine body?
# MATT
It's a slender humanoid body that's tall and thin, but its body is gray scaled and armor plates and then, from its shoulders, it extends up into the hooded cobra head.
# TRAVIS
Taller than the other three that were in the chamber?
# MATT
Yeah, it's probably about seven-foot tall, and the others are about five-and-a-half, six-foot tall.
# LIAM
Let's skip and go to the next episode!
# MATT
We got a week.
# TRAVIS
Don't we have that little box that appears that's just counting down from ten, nine, eight, and it's going to automatically skip to the fight right now, right? We can just hit it.
# MARISHA
Yeah!
# MATT
We all got shit to do in the morning.
# TALIESIN
Oh, yeah, that's so true.
# TRAVIS
Yeah, but cobra fight!
# MATT
I know. We'll pick it up there next week.
# TALIESIN
Tomorrow's a long day.
# MATT
I know.
# TRAVIS
Good shit, Matt!
# MATT
Now, you guys are in the temple. We'll see where it goes from here. I'm excited.
# MARISHA
It's so Indiana Jones! This is so Nathan Drake!
# LAURA
I was like, where are we going to stick the rubies! Where do we stick their-- I don't know where to stick the rubies.
# MARISHA
The rubies have a purpose, I know it!
# LAURA
Look at all these dice that fucked me tonight!
# MATT
(laughing) That's a t-shirt. Well, thank you guys. We'll pick this up next week. I'm excited.
Thank you, guys, for sticking around with us tonight. Have a good week, we love you, and is it Thursday yet? Good night! [music]
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